"Shepherd's Lullaby (Arr. Chowhan)" by Thomas Hewitt, Julian Lloyd Webber, Pamela Chowhan had its release date on August 4, 1995. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 21 in Cradle Song by Julian Lloyd Webber. Shepherd's Lullaby (Arr. Chowhan) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Shepherd's Lullaby (Arr. Chowhan) by Thomas Hewitt, Julian Lloyd Webber, Pamela Chowhan is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Concerti grossi, Op.6 - Concerto grosso in Bb major, Op. 6, No. 7: 2. Allegro | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | A Major | 3 | 11B | 85 BPM | ||
| Bethlehem Down (Arr. P. Lane) | Peter Warlock, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 67 BPM | ||
| Wiegenlied, S. 198 | Franz Liszt, Khatia Buniatishvili | A Minor | 0 | 8A | 67 BPM | ||
| Mendelssohn: Songs Without Words, Book IV, Op. 53: No. 4, Adagio, MWV U114 | Felix Mendelssohn, Daniel Adni | F Major | 0 | 7B | 77 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Andante cantabile (II) | Pyotr Ilyich Tchaikovsky, Ofra Harnoy, Sir Charles Mackerras | C Major | 1 | 8B | 74 BPM | ||
| Concerto For Oboe And Strings: 3. Finale | Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim | G Major | 1 | 9B | 76 BPM | ||
| Beau soir | Claude Debussy, Wolfgang Emanuel Schmidt | D Minor | 0 | 7A | 112 BPM | ||
| An Irish Symphony: In the Antrim Hills | Hamilton Harty, RTÉ National Symphony Orchestra, Proinnsias O'Duinn | F Major | 0 | 7B | 79 BPM | ||
| Violin Concerto No. 3 in B minor, Op. 61: 2. Andantino quasi allegretto | Camille Saint-Saëns, Pierre Amoyal, Orchestre National De France, Charles Dutoit | D Major | 0 | 10B | 108 BPM | ||
| Oboe Concerto in A Major (arr. J. Barbirolli): III. Sarabanda | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | D Minor | 0 | 7A | 98 BPM | ||
| III. Nocturne from String Quartet No. 2 in D Major | Alexander Borodin, Saulius Sondeckis, St. Petersburg Camerata | D Major | 1 | 10B | 175 BPM | ||
| Chanson de Matin, Op.15, No.2 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Major | 1 | 9B | 89 BPM | ||
| Schubert: Arpeggione Sonata in A Minor, D. 821: II. Adagio | Franz Schubert, András Schiff, Miklós Perényi | E Minor | 1 | 9A | 75 BPM | ||
| 14 Romances, Op. 34: No. 14, Vocalise in E Minor (Version for Orchestra) | Sergei Rachmaninoff, Lazar Gosman, Tchaikovsky Chamber Orchestra | D Minor | 2 | 7A | 147 BPM | ||
| Violin Sonata in D major, Op.1, No.13, HWV 371 - arr. by Mischa Maisky for Cello and Piano: 3. Larghetto | George Frideric Handel, Mischa Maisky, Pavel Gililov | A Minor | 1 | 8A | 85 BPM | ||
| Sonata in A major, HWV 361: I. Andante | George Frideric Handel, Riccardo Minasi | D Minor | 1 | 7A | 170 BPM | ||
| Serenade for strings in E Minor, Op. 20: II. Larghetto | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 97 BPM | ||
| Serenade für Streichinstrumente in E Major, Op.22: I. Moderato | Slowakisches Kammerorchester, Bohdan Warchal | E Major | 0 | 12B | 84 BPM | ||
| 2 Pieces for Small Orchestra: No. 2, Summer Night on the River | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A♭ Major | 2 | 4B | 125 BPM | ||
| Pavane, Op. 50 | Gabriel Fauré, Leone Buyse, Boston Pops Orchestra, John Williams | G Major | 5 | 9B | 74 BPM | ||
| Saturday Morning in Vienna - Original | Thomas Hewitt | F♯ Minor | 6 | 11A | 115 BPM | ||
| Biene Makes Party All Night Long | Thomas Hewitt | G Major | 5 | 9B | 137 BPM | ||
| Lohdutus, Op. 32: Nro. 1, Consolation | Taneli Kuusisto, SRK Musiikki | A Minor | 0 | 8A | 82 BPM | ||
| La Fille aux cheveux de lin, L. 117, No. 8 | Claude Debussy, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | G Major | 1 | 9B | 63 BPM |