On 1992, the song "Parlay Ho" was released by Kosindra, Rishi Pal. This song appears to be safe for all ages as it is not explicit. The track order of this song in Kosindra, Rishi Pal's "Hariyanvi Kissa Sati Sulochna" album is number 1 out of 15. On top of that, France appears to be the country where this track was created. Based on our statistics, Parlay Ho's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Parlay Ho by Kosindra, Rishi Pal to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aho Nanado Ke Bhaiya | Khesari Lal Yadav | B Major | 9 | 1B | 134 BPM | ||
| Tola Aise Rangahu Turi Fagun Ma | Nilkamal Vaishnav | F Minor | 9 | 4A | 120 BPM | ||
| Eso Datar Me Suniyo | Rajkumar Swami | A Minor | 7 | 8A | 106 BPM | ||
| Lehari Anahad | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Kadak Laxmi Aali | Ravindra Sathe | G Major | 8 | 9B | 91 BPM | ||
| Kissa - Mahabharat Aaj Karn Bane Hai Senapati | Komal Choudhary, Tarun Baliyan | F Major | 10 | 7B | 128 BPM | ||
| Ladali Lumba Jhama | Murlidhar Paudwal | E♭ Minor | 7 | 2A | 171 BPM | ||
| Judya Fir | Kosindra, Rishi Pal | E♭ Minor | 6 | 2A | 98 BPM | ||
| Abhi Chhoti Hun Balam Jawan Hone De | Prakash Rutha | G Major | 6 | 9B | 95 BPM | ||
| AAYA BABA TERA SAWAN MAHINA | Ashu Verma | D Major | 8 | 10B | 145 BPM | ||
| Aa Gayi Bharat Mai Variety | Brijesh Shastri | B Major | 7 | 1B | 95 BPM | ||
| Raka Speni Khula Khumari Yam - Orignal | Sani Obaidullah | D♭ Major | 9 | 3B | 69 BPM | ||
| Bhagat Singh - Version 2 | Kosindra, Rishi Pal | A Minor | 7 | 8A | 124 BPM | ||
| Chameli Hi Hi | Umakant Barik, Rabi | E Major | 9 | 12B | 132 BPM | ||
| Been Bajaun Tujhe Bulaun | Mohammed Aziz | D Minor | 8 | 7A | 91 BPM | ||
| Ashik Ranghe Hir Pir | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | F Major | 6 | 7B | 126 BPM | ||
| Kandi Re Luve | Mamta Chandrakar, Kuleshwar Tamrakar | C Minor | 3 | 5A | 125 BPM | ||
| Radhika Gouri Se | Manish Tiwari | A♭ Major | 7 | 4B | 83 BPM | ||
| Phir Raat Kati | Sukhwinder Singh, Sunidhi Chauhan | G Major | 6 | 9B | 130 BPM | ||
| Madho Hum Aise Tu Aisa | Hita Ambrish | C Major | 7 | 8B | 141 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Hy Hy Luteej Gaye Hain | Ramzan bawas | A Minor | 9 | 8A | 93 BPM | ||
| Dheemera Halo | Kesariya Rajasthan | A Major | 3 | 11B | 168 BPM | ||
| Raja Aaja Aab Aaja | Arvind Singh Abhiyanta, Kamalwas Kuwar Vyas | F♯ Major | 8 | 2B | 156 BPM | ||
| Rab Mera Satguru Banke Aaya | Swami Sachchidanand Aacharya | D♭ Major | 5 | 3B | 79 BPM |