Mamta Raut, Vikesh Singh's ' "Nikala Churi Na Ta Gori" was released on its scheduled release date, November 13, 2015. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Nikala Churi Na Ta Gori's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Chhote Baba's "Hero Gamchawala (Original Motion Picture Soundtrack)" album is number 5 out of 9. Nikala Churi Na Ta Gori is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Nikala Churi Na Ta Gori by Mamta Raut, Vikesh Singh to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Junction Ke Mal Lago Hi | Amit Ashik, Anjali Bharti | C Major | 10 | 8B | 87 BPM | ||
| Pyari Pyari Muniya Re | Alok Kumar, Mamta Raut | C Major | 9 | 8B | 112 BPM | ||
| Patna Se Ailiyo Ge Bahin | Aashish Yadav | A Major | 9 | 11B | 85 BPM | ||
| Chhuri Naino Se Chalaake | Kalpana Patowary | B Minor | 9 | 10A | 155 BPM | ||
| Badra Re | Gunjan Singh | F♯ Major | 9 | 2B | 80 BPM | ||
| Kai Kos Chamkela Sona Ke Sinhorwa | Alka Singh Pahadiya | E Minor | 8 | 9A | 118 BPM | ||
| Wall Paper | Sameer Luha, Kiran | D♭ Major | 7 | 3B | 148 BPM | ||
| Tumar Misti Mukher Hashi Diya | Ariful Islam, Enamul Hoque | F Major | 10 | 7B | 105 BPM | ||
| Devra Dalalko Aar Par Hogailau | Raushan Rohi, Anjali Bharti | B♭ Minor | 10 | 3A | 90 BPM | ||
| Sonma Ke Tikuliya | Deepak Raj Yadav, Shrishti Bharti | B Minor | 7 | 10A | 80 BPM | ||
| Etne Din Rahi Hamra Karamwa Re Jaan | Gaurav Thakur, Kalpana Mandal | D Major | 10 | 10B | 126 BPM | ||
| Piywa Marai Kaccha Kach Re | Ketari Lal Chandravanshi, Riya Raj | C Minor | 10 | 5A | 89 BPM | ||
| Sarak Jala Odhani - "Karz Virasat Ke" | Khushboo Jain, Pawan Singh | C Minor | 9 | 5A | 134 BPM | ||
| Aaja Tu Fufi Ka | Ms Khan, Aslam Singer Mewati, Aslam Singer Deadwal | A♭ Major | 10 | 4B | 120 BPM | ||
| Raadhe Raadhe Prem Barsa De | Pawan Pardesi, Indu Sonali, Manish Guru | A Minor | 9 | 8A | 75 BPM | ||
| Dhodeya Chakar Kailekai Kudi Kudi Re | Raushan Rohi, Khushi Kakkar | A Major | 10 | 11B | 120 BPM | ||
| Chikan Saman - "Aashik Aawara" | Kalpana Patowary, Dinesh Lal Yadav | A Major | 9 | 11B | 168 BPM | ||
| Ram Ka Mandir Ayodhya Ja Kar Dekhenge | Mangal Dubey, Mamta Raut, Tushar Arjun, Vivek Bakshi | B♭ Minor | 10 | 3A | 135 BPM | ||
| Kanheya Pagal Helana | Umakanta Barik | B♭ Minor | 10 | 3A | 110 BPM | ||
| Netaji Chale Delhi | Mamta Raut | E Minor | 5 | 9A | 90 BPM | ||
| Chhuye Ke Chhod Di | Indu Sonali | B♭ Minor | 10 | 3A | 145 BPM | ||
| Khole Deba Nabhi | Ritesh Pandey | C Major | 9 | 8B | 102 BPM | ||
| Chidiya Hoti To Aa Jati Mera Jatoliya | Sahilkhan Jatoli, Aslam Singer Deadwal, Sahin Khan Mewati | C Major | 9 | 8B | 120 BPM | ||
| Sainya Kora Me Kas Ras Lijiye - From "Babbar" | Mamta Raut, Mohan Singh | A♭ Minor | 10 | 1A | 132 BPM | ||
| Take Bhidala Ho | Om Jha, Mamta Raut | A♭ Minor | 10 | 1A | 95 BPM |