"Flight, Act I: Due to circumstances beyond our control (Controller, Refugee)" by Jonathan Dove, David Parry, London Philharmonic Orchestra, Claron McFadden, Christopher Robson had its release date on April 1, 2004. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 46 in Dove: Flight by Jonathan Dove, David Parry, London Philharmonic Orchestra, Christopher Robson, Claron McFadden, Richard Coxon, Mary Plazas, Nuala Willis, Ann Taylor. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Flight, Act I: Due to circumstances beyond our control (Controller, Refugee) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flight, Act I: Due to circumstances beyond our control (Controller, Refugee) by Jonathan Dove, David Parry, London Philharmonic Orchestra, Claron McFadden, Christopher Robson is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Christe, qui lux es et dies: Christe, qui lux es et dies | William Byrd, Stile Antico | G Minor | 0 | 6A | 86 BPM | ||
| Cantata di Camera Crucifixus pro Nobis, Op. 111: II. Christ in the Garden | Edmund Rubbra, Benjamin Hulett, Francois Cloete, Benjamin Nicholas, Britten Sinfonia | B♭ Minor | 1 | 3A | 138 BPM | ||
| Nacht und Träume, D. 827 (Transcr. Gottwald for Choir) | Franz Schubert, Kammerchor Stuttgart, Frieder Bernius | G Minor | 1 | 6A | 106 BPM | ||
| Nunc dimittis in C | Charles Villiers Stanford, The King's Consort, Robert King | B♭ Major | 1 | 6B | 82 BPM | ||
| Missa Benevola: VII. Agnus Dei | Orazio Benevoli, I Fagiolini, Robert Hollingworth, The City Musick | G Major | 0 | 9B | 72 BPM | ||
| Son of God Mass: Amen | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Major | 2 | 8B | 72 BPM | ||
| Stanford: The Blue Bird | Chamber Choir Ireland, Charles Villiers Stanford, Paul Hillier | F♯ Major | 0 | 2B | 70 BPM | ||
| Wishes | Fraser Wilson, Apollo5 | E Minor | 0 | 9A | 99 BPM | ||
| Holy Spirit Mass: Blessed | Kim André Arnesen, Mona Spigseth, Alex Robson, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | B♭ Major | 2 | 6B | 58 BPM | ||
| Tippett: Five Negro Spirituals (from A Child of Our Time) - Steal Away | The Chapel Choir of Pembroke College, Cambridge | G Major | 1 | 9B | 59 BPM | ||
| Liturgical Chants: O Holy God | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 0 | 3B | 179 BPM | ||
| Sacred Place: V. Kaddish | Alex Berko, Conspirare, David Kurtenbach Rivera, Lauren McAllister, Simon Barrad, Meg Dudley, Carla McElhaney, Sandy Yamamoto, Daniel Kopp, Craig Hella Johnson | D Minor | 1 | 7A | 112 BPM | ||
| My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
| Jesus Christus resurrexit | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | D Major | 1 | 10B | 136 BPM | ||
| There We Shall Rest | Kim André Arnesen, Kantorei, Joel Rinsema | C Major | 1 | 8B | 76 BPM | ||
| Snowforms | Elektra Women's Choir | E♭ Major | 0 | 5B | 68 BPM | ||
| Canticles & Prayers, Having Beheld a Strange Nativity: No. 11, Glory (Quiet) | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | A♭ Minor | 0 | 1A | 68 BPM | ||
| I Need Thee Every Hour | Laudate Mennonite Ensemble | F Minor | 0 | 4A | 79 BPM | ||
| Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | B♭ Major | 3 | 6B | 68 BPM | ||
| Requiem: XIV. Requiem | Alfred Schnittke, NDR Vokalensemble, Klaas Stok, Bernhard Fograscher, Fanis Gioles, Thomas Emanuel Cornelius, Michael Schröder, Sven Gätjens, Eunsol Hong, Yang-Hung Huang | F Major | 0 | 7B | 132 BPM | ||
| The Wild Duck, JW IV/18 | Leoš Janáček, Collegium Vocale Gent, Reinbert de Leeuw | E Minor | 1 | 9A | 128 BPM | ||
| From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 3, Lullaby | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 0 | 10B | 73 BPM | ||
| Caritas Habundat in Omnia - Live | Diederik van der Laag, Wishful Singing | B♭ Minor | 1 | 3A | 138 BPM | ||
| All-Night Vigil, Op. 37: VI. Rejoice, O Virgin Theotokos | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Major | 0 | 12B | 80 BPM | ||
| Petite messe solennelle: II. Kyrie. Christe eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri | A Minor | 0 | 8A | 172 BPM |