On January 3, 2008, the song "The Note We End On" was released by The Stereotypes. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. The Note We End On's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 5, so we believe that "The Note We End On" is a single. The Note We End On is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Note We End On by The Stereotypes is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shout It | Southern | D Minor | 9 | 7A | 172 BPM | ||
| Grey Lynn Park | The Veils | A Major | 6 | 11B | 114 BPM | ||
| Teach You the Tongue | Kid Cadaver | C Major | 8 | 8B | 100 BPM | ||
| Keys To Your Coffin | Bite The Buffalo | D♭ Minor | 10 | 12A | 158 BPM | ||
| Temporary | White Rabbits | B♭ Minor | 10 | 3A | 142 BPM | ||
| Gypsy Cab | Steve Conte & The Crazy Truth | E Major | 9 | 12B | 134 BPM | ||
| Louis XIV - Album/EP Version | Louis XIV | A Major | 10 | 11B | 127 BPM | ||
| End Of Days | Zachary Kibbee | B Minor | 7 | 10A | 78 BPM | ||
| Darling, It's True | Locksley | A Major | 8 | 11B | 204 BPM | ||
| What Happened to the Love? | The Heavy | G Major | 9 | 9B | 170 BPM | ||
| Baby, You're On Your Own | The Steepwater Band | B Minor | 9 | 10A | 186 BPM | ||
| Suspicious Character | The Blood Arm | D Major | 9 | 10B | 103 BPM | ||
| Keep Moving | Andrew Stockdale | D Major | 9 | 10B | 115 BPM | ||
| Thunderhorse | The Diamond Light | D Major | 8 | 10B | 121 BPM | ||
| Been Good to Know You | The Stereotypes | D Major | 9 | 10B | 125 BPM | ||
| Tagalong | Hit Back | B Major | 7 | 1B | 90 BPM | ||
| Drunk With You | Christopher Wild | E Major | 5 | 12B | 85 BPM | ||
| Afternoon | Hit Back | E♭ Minor | 4 | 2A | 129 BPM | ||
| House on Fire | Hanni El Khatib | D Major | 5 | 10B | 141 BPM | ||
| God Killed the Queen | Louis XIV, Jason Hill, Brian Karscig | D♭ Major | 6 | 3B | 132 BPM | ||
| Same As Me | Street Joy | G Major | 4 | 9B | 112 BPM | ||
| All Better Now | Earl Greyhound | F♯ Minor | 10 | 11A | 151 BPM | ||
| I'm the King (Radio Edit) | Six Def | B Minor | 6 | 10A | 96 BPM | ||
| Funnel Of Love | Terraplane Sun | D Minor | 6 | 7A | 123 BPM | ||
| Please Yourself | Ron Gallo | C Major | 8 | 8B | 100 BPM |