- BPM
- 129
- Key
- E Major
- Camelot
- 12B
Lullaby for Max by Justin Rubin, Matthew McCright Song Details
"Lullaby for Max" by Justin Rubin, Matthew McCright had its release date on February 5, 2013. This song is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Rubin: A Waltz Through the Vapor". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Lullaby for Max's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Lullaby for Max by Justin Rubin, Matthew McCright having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -24.839 dB
- Acousticness
- 100%
- Danceability
- 58%
- Energy
- 2%
- Instrumentalness
- 93%
- Liveness
- 9%
- Loudness
- 59%
- Speechiness
- 9%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonata für Oboe Solo: I. Langsam – Beschleunigend | Jürg Wyttenbach, Heinz Holliger | B♭ Minor | 0 | 3A | 77 BPM | |
 | Riessler: Family Affair | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | |
 | The Viola in My Life I | Morton Feldman, Antoine Tamestit, Gürzenich Orchester Köln, Harry Ogg | D♭ Major | 1 | 3B | 134 BPM | |
 | Peter Grimes, 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 78 BPM | |
 | Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F Minor | 0 | 4A | 100 BPM | |
 | Ultima Verba: III. Ultima Verba. Last Love | Justin Rubin, Alyssa Anderson, Joseph Spoelstra | E♭ Major | 1 | 5B | 81 BPM | |
 | Cello Concerto, C. 65: II. Allegro appassionato | William Walton, Sinfonia Of London, John Wilson, Jonathan Aasgaard | E♭ Minor | 1 | 2A | 109 BPM | |
 | Pithoprakta | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | D Minor | 4 | 7A | 101 BPM | |
 | Akhnaten: Act III, Scene 1: The Family | Philip Glass, Dennis Russell Davies | C Major | 2 | 8B | 75 BPM | |
 | Symphony No. 3: I. Langsom, breit, ruhig | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 1 | 5A | 82 BPM | |
 | Organ Concerto in G Minor, FP 93: VI. Tempo de I' Allegro intial | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | A♭ Minor | 0 | 1A | 71 BPM | |
 | 4 Pieces for Violin and Piano, Op. 7: No. 1, Sehr Langsam | Anton Webern, Diamanda La Berge Dramm, Helena Basilova | F♯ Minor | 0 | 11A | 133 BPM | |
 | For Bunita Marcus: Mm. 1270-1372 | Morton Feldman, Aki Takahashi | D Major | 0 | 10B | 60 BPM | |
 | Verklärte Nacht, Op. 4 - Version for String Sextet: I. Sehr langsam | Arnold Schoenberg, LaSalle Quartet, Donald McInnes, Jonathan Pegis | C Minor | 1 | 5A | 85 BPM | |
 | Histoire du soldat Suite (the Soldier's Tale Suite): VIII. Petit / Grand Chorale | Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft | B Minor | 1 | 10A | 61 BPM | |
 | In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | |
 | BALLAS VI | Ruthlesskid | D♭ Major | 0 | 3B | 65 BPM | |
 | I. Danza del Altiplano | Gabriela Lena Frank, ALIAS Chamber Ensemble | G Minor | 1 | 6A | 138 BPM | |
 | Le marteau sans maître: Commentaire I de "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 1 | 4A | 87 BPM | |
| Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | E Minor | 0 | 9A | 78 BPM | |
 | Delusion of the Fury: Exordium: The Beginning of a Web | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | B♭ Major | 3 | 6B | 72 BPM | |
 | Clear Mind | Rylandiaa | E Major | 1 | 12B | 100 BPM | |
 | Debussy / Orch. Caplet: La boîte à joujoux, CD 136, L. 128: I. Prélude. Le Sommeil de la boîte | Claude Debussy, Sir Simon Rattle, Majella Stockhausen, Berliner Philharmoniker | F♯ Major | 1 | 2B | 114 BPM | |
 | Cello Concerto: I. Quarter = 40. – | György Ligeti, Jean-Guihen Queyras, Ensemble Intercontemporain, Pierre Boulez | D Major | 0 | 10B | 134 BPM | |
 | To The Forefront | Ryan Erik Adamsons, Zephyr Brass Collective, Joe Smith | E♭ Major | 2 | 5B | 104 BPM |
- ISRC
- US29K1384703
- Label
- L-M Records/RCA Records