"Where Dreams Come True" by Jim Rattigan had its release date on October 24, 1997. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "The Harp Album". In this album, this song's track order is #1. The popularity of Where Dreams Come True is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Where Dreams Come True by Jim Rattigan having a BPM of 160 with a half-time of 80 BPM and a double-time of 320 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eu Sei Que Vou Te Amar | Scott Hamilton | F Minor | 5 | 4A | 116 BPM | ||
| Fourth Rites | Jason Forsythe | D♭ Major | 0 | 3B | 129 BPM | ||
| Cool Fog | Julian Moonray | D♭ Minor | 0 | 12A | 49 BPM | ||
| Peace In The Middle East | Jacques Schwarz-Bart, Grégory Privat | G Minor | 3 | 6A | 136 BPM | ||
| Penelope | Randy Ingram, Drew Gress, Billy Hart | C Major | 4 | 8B | 168 BPM | ||
| The Continental | Martial Solal | A♭ Major | 1 | 4B | 128 BPM | ||
| The Quietest Yes | MySOL | D♭ Major | 0 | 3B | 138 BPM | ||
| Velvet and Silk | LiftMachine | C Major | 3 | 8B | 108 BPM | ||
| Emo | Maurizio Ceraudo | F Minor | 5 | 4A | 116 BPM | ||
| Night Scenes | Matthew McDonald | A Minor | 6 | 8A | 109 BPM | ||
| Pitter Patter Panther | Mulgrew Miller, Niels-Henning Ørsted Pedersen | G Major | 2 | 9B | 172 BPM | ||
| Bright Waters | Jim Rattigan | F♯ Major | 1 | 2B | 180 BPM | ||
| Lighthouse | raLoki | F Minor | 5 | 4A | 116 BPM | ||
| 24 Jazz Preludes, Op. 53: No. 17, Allegretto | Nikolai Kapustin, Ophelia Gordon | F Minor | 3 | 4A | 77 BPM | ||
| Echoes on Ivory and Gold - Jazz Version | Between Silences, Across the Brass | F Minor | 5 | 4A | 116 BPM | ||
| Merry Counterpoint | Saoco Studio | C Major | 4 | 8B | 110 BPM | ||
| Heartaches | Scott Hamilton | F Minor | 5 | 4A | 116 BPM | ||
| Nocturnal sun | Nils Janson | F Minor | 5 | 4A | 116 BPM | ||
| After The Morning | Double Rainbow, Yosuke Onuma, Takana Miyamoto | E♭ Major | 1 | 5B | 109 BPM | ||
| Guardians of the Abyss | León Areíto | F Major | 2 | 7B | 59 BPM | ||
| Chronicles of the Exiled | Niko de Oro | D♭ Major | 9 | 3B | 136 BPM | ||
| Pazienza | Michele Uliana, Beppe Pilotto, Giacomo Li Volsi | A♭ Minor | 1 | 1A | 120 BPM | ||
| Off the Rails | Jim Rattigan, Liam Noble, Thomas Gould | B Major | 3 | 1B | 68 BPM | ||
| Siseo Tenebroso | Cromatica nocturna | F Minor | 5 | 4A | 116 BPM | ||
| I Loves You, Porgy | Giovanni Hoffer, Alessandro Altarocca | C Minor | 2 | 5A | 88 BPM |