"Why God Why - Symphonic" by Peter Cousens had its release date on October 15, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Peter Cousens's "Love Changes Everything" album is number 13 out of 22. On top of that, United States appears to be the country where this track was created. Why God Why - Symphonic is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Why God Why - Symphonic by Peter Cousens to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Everything's Coming Up Roses | Imelda Staunton | A Major | 5 | 11B | 134 BPM | ||
| A Step Too Far | Adam Pascal | F Minor | 4 | 4A | 121 BPM | ||
| Barrett's Song | Maury Yeston, Brian D'Arcy James, Original Broadway Cast of Titanic: The Musical, Kevin Stites | A Minor | 2 | 8A | 86 BPM | ||
| Razzle Dazzle | Henry Goodman, Chicago Ensemble (London (1997)) | D♭ Major | 1 | 3B | 112 BPM | ||
| Leading Men Don't Dance - Cover | Peter Cousens | G Minor | 3 | 6A | 98 BPM | ||
| Thuy's Arrival | Charles Azulay, Peter Cousens, Joanna Ampil | B♭ Major | 3 | 6B | 74 BPM | ||
| Side Show: I Will Never Leave You - Voice | Henry Krieger, Alice Ripley, Emily Skinner, Side Show Original Broadway Cast, David Chase | F Major | 3 | 7B | 85 BPM | ||
| Standing On the Corner (From "the Most Happy Fella") [Arr. For Flute and Voice] | Jane Rutter, Peter Cousens | D♭ Major | 3 | 3B | 171 BPM | ||
| Extraordinary | Matthew James Thomas | D Minor | 6 | 7A | 146 BPM | ||
| Farewell Good Angel | James Barbour, Original Broadway Cast of Jane Eyre | A Minor | 6 | 8A | 156 BPM | ||
| Love Song | Matthew James Thomas, Rachel Bay Jones | B♭ Major | 2 | 6B | 114 BPM | ||
| Do You Love Me? | Danny Burstein, Jessica Hecht | C Major | 2 | 8B | 170 BPM | ||
| My Fortune Is My Face | Peter Cousens | G Major | 4 | 9B | 83 BPM | ||
| All I Ask Of You (From "The Phantom of the Opera") [Arr. For Flute and Voice] | Jane Rutter, Peter Cousens | B♭ Major | 4 | 6B | 140 BPM | ||
| When Will Someone Hear? | Rebecca Lock | A Major | 2 | 11B | 83 BPM | ||
| Wait | Imelda Staunton | A♭ Major | 2 | 4B | 109 BPM | ||
| How I Know You | Damian Perkins | F Major | 2 | 7B | 85 BPM | ||
| Where Do I Go? | Gavin Creel, 'Hair' Tribe | D Major | 6 | 10B | 178 BPM | ||
| Opening: The New World | 'Songs for a New World' 2018 Encores! Off-Center Company | E♭ Major | 5 | 5B | 140 BPM | ||
| At The End Of The Day | "Les Misérables Original London Cast" Ensemble | F Minor | 4 | 4A | 63 BPM | ||
| From a Distance - Cover | Peter Cousens | D♭ Major | 5 | 3B | 104 BPM | ||
| Let Me Drown | Brian D'Arcy James, Idina Menzel, The Wild Party Ensemble | D Major | 7 | 10B | 113 BPM | ||
| To Build a Home | Kelli O'Hara, Company of The Original Broadway Cast Of "Bridges Of Madison County" | C Major | 3 | 8B | 174 BPM | ||
| I Love You Because | I Love You Because Company | C Major | 3 | 8B | 120 BPM | ||
| The Proposal | James Barbour, Marla Schaffel | A Minor | 3 | 8A | 80 BPM |