QUARTET PAPAS's '弦楽四重奏曲第14番「死と乙女」第1楽章より' had a release date set for February 3, 2021. With This song being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 7 in the song's album "Papas's room ~TBS系 火曜ドラマ「カルテット」~". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Japan. In terms of popularity, 弦楽四重奏曲第14番「死と乙女」第1楽章より is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 弦楽四重奏曲第14番「死と乙女」第1楽章より by QUARTET PAPAS having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ロマンス 第2番 ヘ長調 OP.50 | Ludwig van Beethoven, Mariko Senju, ピエール・デルヴォー, ルクセンブルク放送交響楽団 | F Major | 1 | 7B | 100 BPM | ||
| ホルスト: 木星 (ジュピター) 〜組曲《惑星》より | Gustav Holst, ジェイムズ・ジャッド, Royal Philharmonic Orchestra | F♯ Minor | 0 | 11A | 174 BPM | ||
| 月の光(ドビュッシー) | Jörg Demus | D♭ Major | 0 | 3B | 67 BPM | ||
| ナウシカ・レクイエム | 林 はるか, Soyoka Hayashi | A♭ Major | 1 | 4B | 86 BPM | ||
| ニコニコ地獄 | 金子 隆博 | E Major | 3 | 12B | 78 BPM | ||
| 4 Impromptus, Op. 90, D. 899: No. 2 in E-Flat Major | Franz Schubert, Ammiel Bushakevitz | A Major | 0 | 11B | 178 BPM | ||
| 白い巨塔 | Takashi Kako | A Minor | 3 | 8A | 95 BPM | ||
| 雨だれ(前奏曲第15番変ニ長調 作品28の15) | Nobuyuki Tsujii | D♭ Major | 0 | 3B | 173 BPM | ||
| Cherry Blossom | 冬野ユミ | G Major | 2 | 9B | 144 BPM | ||
| 子供の情景, 作品 15: 7. トロイメライ | Robert Schumann, ウラディーミル・アシュケナージ | F Major | 0 | 7B | 69 BPM | ||
| JINー仁ー Main Title(piano & strings ver.) | 髙見 優 | F Major | 1 | 7B | 128 BPM | ||
| 組曲「動物の謝肉祭」 13. 白鳥 | Camille Saint-Saëns, Sir Charles Groves, フィルハーモニア管弦楽団 | G Major | 0 | 9B | 126 BPM | ||
| さよーならまたいつか! - Chamber Orchestra ver. | Yuta Mori | E Minor | 1 | 9A | 134 BPM | ||
| ソナタ ロ短調 K.87/L.33(スカルラッティ) | Domenico Scarlatti, Shinya Kiyozuka | B Minor | 1 | 10A | 80 BPM | ||
| ウマレカワル | 金子 隆博 | E Major | 3 | 12B | 78 BPM | ||
| はじまりの風景 - はじまりの風景 | Hideki Togi, 古澤巖, Coba | D Major | 2 | 10B | 139 BPM | ||
| 黄昏のワルツ | NAOTO | F Major | 0 | 7B | 69 BPM | ||
| SPEC - Suffering - | ドラマ「SPEC」サントラ | F Major | 2 | 7B | 94 BPM | ||
| 明日の翼 | BG ondeMand | C Major | 1 | 8B | 119 BPM | ||
| バラード 第1番(ショパン) 「戦場のピアニスト」The Pianist/2002年 | イダ・チェルネッカ (P) | G Minor | 2 | 6A | 69 BPM | ||
| G線上のアリア | ヨハン・セバスティアン・バッハ, Mariko Senju, 山洞 智 | C Major | 1 | 8B | 119 BPM | ||
| 星の降る丘から(清塚信也) | Shinya Kiyozuka | A Minor | 1 | 8A | 71 BPM | ||
| objet | Yukie Nishimura | B♭ Minor | 2 | 3A | 87 BPM | ||
| around the village | ベンジャミン ベドゥサック | E Major | 0 | 12B | 108 BPM | ||
| Falling in Love | Yuta Bandoh | D Major | 2 | 10B | 130 BPM |