York Graham's 'Mystery Mailman' had a release date set for December 14, 2025. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Mystery Mailman's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in York Graham's "Late Night Party" album is number 8 out of 11. The popularity of Mystery Mailman is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mystery Mailman by York Graham to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What the Hell Happened to You, Man | Ignored Echoes | D♭ Major | 6 | 3B | 104 BPM | ||
| Proof of Creativity | Paul Benedict Faeldin | E♭ Minor | 4 | 2A | 180 BPM | ||
| A Snowy Time | BALREZ TZYAKA | A Minor | 3 | 8A | 100 BPM | ||
| Grey & Old | Pandora Brendan | E♭ Minor | 4 | 2A | 180 BPM | ||
| Sandbox | LowKey | D Major | 8 | 10B | 165 BPM | ||
| Endless Night | Zenty 56 | D♭ Minor | 7 | 12A | 105 BPM | ||
| Snowlight | OUR OBSIDIAN SCARS | D Major | 8 | 10B | 174 BPM | ||
| Six Two Eight | Distort Replays | E♭ Minor | 4 | 2A | 180 BPM | ||
| Unstoppable Risks | Paul Benedict Faeldin | E♭ Minor | 4 | 2A | 180 BPM | ||
| Banana Dream | Tom Pritt | D♭ Minor | 4 | 12A | 130 BPM | ||
| Crimson Echoes | Voxshadow Crystalfire | C Minor | 8 | 5A | 163 BPM | ||
| My side of the story | M.Hogstad | B Major | 5 | 1B | 143 BPM | ||
| Throw It Out | David Fridouns | E♭ Minor | 4 | 2A | 180 BPM | ||
| Forgotten Plans | Harry Moore | E Minor | 5 | 9A | 158 BPM | ||
| Big Bubble Trouble | MC-ROW | A Major | 7 | 11B | 196 BPM | ||
| Knuckles | JADIEL MUSK | E♭ Minor | 4 | 2A | 180 BPM | ||
| Tragic Imitations | Michelle Henry | E♭ Minor | 4 | 2A | 180 BPM | ||
| The End of Everything | Celestial Apexion | E♭ Minor | 4 | 2A | 180 BPM | ||
| Sunset Horizon | Cleveland Lancelot | C Major | 10 | 8B | 137 BPM | ||
| Almost Feels Like Rock and Roll | Reed Harper | F Minor | 7 | 4A | 148 BPM | ||
| Finding who we are - Remastered 2024 | Bruno Jupiter | D♭ Minor | 3 | 12A | 95 BPM | ||
| Westhaven Drive | Ghost On Fire | E♭ Minor | 4 | 2A | 180 BPM | ||
| Manufacturing Champagne | The Assembly Line | E Minor | 7 | 9A | 150 BPM | ||
| Lessons in Sensitivity | Michelle Henry | E♭ Minor | 4 | 2A | 180 BPM | ||
| Thunder in the Stands | DJ TUNEO 25 | D Minor | 6 | 7A | 112 BPM |