Lata Mangeshkar, Kishore Kumar, Rajesh Khanna, Asha Parekh, R. D. Burman's ' "Aaj Na Choodenge And Dialogue" was released on its scheduled release date, January 1, 1970. This song is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The track order of this song in R. D. Burman's "Kati Patang" album is number 4 out of 16. On top of that, India appears to be the country where this track was created. Aaj Na Choodenge And Dialogue is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Aaj Na Choodenge And Dialogue by Lata Mangeshkar, Kishore Kumar, Rajesh Khanna, Asha Parekh, R. D. Burman to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aap Ki Nazron Ne Samjha (From "Anpadh") | Tabassum, Lata Mangeshkar | E Minor | 4 | 9A | 175 BPM | ||
| Main Pal Do Pal Ka Shair Hoon With Dialogue By Amitabh | Amitabh Bachchan, Mukesh | F Major | 4 | 7B | 129 BPM | ||
| Afsana Likh Rahi Hoon | Uma Devi | E♭ Major | 3 | 5B | 79 BPM | ||
| Commentry Tabassum And Chingari Koi Bhadke | Tabassum, Kishore Kumar, R. D. Burman | B Minor | 4 | 10A | 87 BPM | ||
| Salam-E-Hasrat Qubool Kar Lo | Sudha Malhotra | A Major | 1 | 11B | 182 BPM | ||
| Na Jao Saiyan Chhuda Ke Baiya | Geeta Dutt | E♭ Major | 4 | 5B | 97 BPM | ||
| Kahe Nainon Men Naina Dale Re | Shamshad Begum | A Major | 3 | 11B | 184 BPM | ||
| Wafa Jo Na Ki | Hemlata, Kalyanji-Anandji | A Major | 6 | 11B | 83 BPM | ||
| Woh Kehte Hain Ham Se (From "Dariya Dil") | Nitin Mukesh | B Minor | 7 | 10A | 105 BPM | ||
| Sona Kare Kaise Jhilmil Jhilmil | Hemlata, Suresh Wadkar | E Minor | 6 | 9A | 102 BPM | ||
| Jab Tak Pure Na Ho Phere Saat | Hemlata | G Minor | 6 | 6A | 116 BPM | ||
| Tere Chehre Mein Woh Jadoo Hai (Jhankar Beats) | DJ SNB IND, Creative Academy, Kishore Kumar | A♭ Major | 8 | 4B | 85 BPM | ||
| Khuda Kare Ke Mohabbat Mein | Pankaj Udhas | B Minor | 6 | 10A | 88 BPM | ||
| Ek But Se Mohabbat Karke | K. J. Yesudas | D Minor | 6 | 7A | 81 BPM | ||
| Barse Re Sawan | Mohammed Aziz, Sadhana Sargam | G Major | 7 | 9B | 118 BPM | ||
| Hum Dono Do Premi | Lata Mangeshkar, Kishore Kumar | F♯ Major | 6 | 2B | 87 BPM | ||
| Aise Na Mujhe - Darling Darling / Soundtrack Version | Kishore Kumar | B♭ Major | 5 | 6B | 86 BPM | ||
| Milte Hi Aankhen | Talat Mahmood, Shamshad Begum | E♭ Major | 5 | 5B | 119 BPM | ||
| Jiska Koi Nahin Sad | Manna Dey, Kalyanji-Anandji | C Major | 4 | 8B | 146 BPM | ||
| Teri Meri Yaari | Suresh Wadkar, Mohammed Aziz | G Minor | 8 | 6A | 174 BPM | ||
| Aa Ab Laut Chalen | Mukesh, Lata Mangeshkar | A Minor | 6 | 8A | 147 BPM | ||
| Hairan Hoon Main | Shabbir Kumar, Anuradha Paudwal | D♭ Major | 6 | 3B | 109 BPM | ||
| Chhodenge Na Hum Tera Saath | Anuradha Paudwal, Mohammed Aziz | F♯ Minor | 7 | 11A | 91 BPM | ||
| Ek Baat Suni Hai | Sushma Shrestha, Shatrugan Sinha | G Major | 5 | 9B | 94 BPM | ||
| Jeena Nahi | Amit Kumar, Anuradha Paudwal | B♭ Minor | 6 | 3A | 103 BPM |