Surjit Bhullar's ' "Taraala" was released on its scheduled release date, November 17, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Surjit Bhullar's "Mausam" album is number 7 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Taraala is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Taraala by Surjit Bhullar to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Steering Nun Hath Paondi | Amar Singh Chamkila, Amarjot | B♭ Minor | 5 | 3A | 172 BPM | ||
| Hanjua Di Jhari | Anmol Virk | B♭ Minor | 8 | 3A | 87 BPM | ||
| Locket | Lovely Nirman, Parveen Bharta | D♭ Minor | 9 | 12A | 148 BPM | ||
| Shaheed Jaagdian Qauma Da | Harjit Singh Harman | B Major | 8 | 1B | 93 BPM | ||
| Mitthe Mitthe Lareyan Naal | Amrita Virk | A♭ Minor | 8 | 1A | 152 BPM | ||
| 40 Bottlan | Satnam Sagar | B Minor | 9 | 10A | 176 BPM | ||
| Yaari Tutgi | Kartar Ramla | G Major | 8 | 9B | 172 BPM | ||
| Parda | Jot Harjot, Bhinda Aujla | G Minor | 6 | 6A | 134 BPM | ||
| Chandigrah Da Chaska (retro) | Sharry Mann | D♭ Major | 8 | 3B | 95 BPM | ||
| Classmate | SHAMSHER CHEENA | B Minor | 6 | 10A | 146 BPM | ||
| Kal Thode Kaun Aya Si (Zen Te Safari) | Raja Sidhu | D♭ Minor | 8 | 12A | 168 BPM | ||
| Cheen Meen | Veet Baljit | A♭ Major | 9 | 4B | 85 BPM | ||
| Hathyar | Parry Sarpanch | B Minor | 9 | 10A | 82 BPM | ||
| Laare | Surjit Bhullar | F♯ Major | 8 | 2B | 100 BPM | ||
| Jhukde Nai | Banny A | A Major | 9 | 11B | 84 BPM | ||
| Udhaar | Prabh Aulakh | A♭ Minor | 8 | 1A | 91 BPM | ||
| Kachriyan Ch Mele | Kulwinder Dhillon, Bitti Roria Wala | D♭ Major | 8 | 3B | 172 BPM | ||
| Mausam | Surjit Bhullar | F♯ Major | 9 | 2B | 130 BPM | ||
| Rahin Bachke Hananen | Ranjit Kaur | A♭ Minor | 6 | 1A | 168 BPM | ||
| Bhabhiye | Surjit Bhular | B♭ Minor | 9 | 3A | 82 BPM | ||
| Sheesha Yaar Da | Surjit Bindrakhia | B♭ Minor | 7 | 3A | 103 BPM | ||
| Sachi Hoi Jwaan | Nachatar Gill | B Minor | 10 | 10A | 138 BPM | ||
| Soorma | Jot Harjot | A♭ Major | 9 | 4B | 83 BPM | ||
| Glass Wich Tun Disdi | Amrita Virk | B Minor | 8 | 10A | 150 BPM | ||
| Sharabi 2 | Simar Dorraha, Freak singh | B♭ Minor | 6 | 3A | 170 BPM |