Harry Gregson-Williams's ' "Power Changes Everything" was released on its scheduled release date, November 4, 2014. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 46 in Call of Duty: Advanced Warfare (Original Game Soundtrack) by Audiomachine, Harry Gregson-Williams. In terms of popularity, Power Changes Everything is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Power Changes Everything by Harry Gregson-Williams is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Justice Is Done | Dean Grinsfelder | F♯ Minor | 1 | 11A | 140 BPM | ||
| Golden Gate Chaos | Alexandre Desplat | F Minor | 5 | 4A | 118 BPM | ||
| Zoo Breakout | Patrick Doyle | F Major | 6 | 7B | 150 BPM | ||
| Where There Is Darkness | Paul Leonard-Morgan | A Major | 4 | 11B | 128 BPM | ||
| The Profit | Keith Power | G Major | 5 | 9B | 151 BPM | ||
| Right Seater | Nathan Furst | C Minor | 2 | 5A | 129 BPM | ||
| Manhattan Assault | Brian Tyler | D Major | 8 | 10B | 87 BPM | ||
| Slipstreamer | Kaveh Cohen, Michael Nielsen | B Minor | 4 | 10A | 170 BPM | ||
| Left Earth | Wilfred Rockell, Maendi | F Minor | 4 | 4A | 130 BPM | ||
| Tidal Wave | Harald Kloser | F Major | 5 | 7B | 145 BPM | ||
| Spotting Movement | Harry Gregson-Williams | D♭ Major | 0 | 3B | 130 BPM | ||
| Birth of War - Dies Irae | Joris de Man | E Minor | 3 | 9A | 87 BPM | ||
| Eagle Claw, Pt. 1 | Sean Murray | A♭ Major | 5 | 4B | 130 BPM | ||
| Mars | Harry Gregson-Williams | B♭ Major | 0 | 6B | 106 BPM | ||
| Wardaddy | Steven Price | A Minor | 0 | 8A | 131 BPM | ||
| Hexadecimals | Harry Gregson-Williams | E Minor | 2 | 9A | 120 BPM | ||
| Build a Bomb | Harry Gregson-Williams | D♭ Major | 2 | 3B | 160 BPM | ||
| Takeoff | Terence Blanchard, Fabian Almazan, Kendrick Scott, Adam Klemens, FILMharmonic Orchestra, Prague | F Minor | 8 | 4A | 135 BPM | ||
| Old Town | Audiomachine | C Major | 5 | 8B | 80 BPM | ||
| Project Long Shadow | Scott R. Morgan | F Major | 8 | 7B | 154 BPM | ||
| Ninja Quiet | Marco Beltrami | D♭ Major | 9 | 3B | 90 BPM | ||
| Spiders & Raptors | Primal, Tyler Bates, Joanne Higginbottom | F Major | 4 | 7B | 122 BPM | ||
| 47 Ronin | Ilan Eshkeri | G Major | 4 | 9B | 130 BPM | ||
| Ready Aurora | Tom Salta | B♭ Major | 4 | 6B | 147 BPM | ||
| The Peace Keepers | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM |