Billy 'Crash' Craddock's ' "Since She Turned Seventeen" was released on its scheduled release date, January 1, 1992. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Since She Turned Seventeen's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 21 in Boom Boom Baby by Billy 'Crash' Craddock. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Since She Turned Seventeen is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Since She Turned Seventeen by Billy 'Crash' Craddock is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Honky Tonkin' Fool | Doug Supernaw | E Major | 4 | 12B | 137 BPM | ||
| I’m Gonna Hire a Wino | David Frizzell | G Major | 5 | 9B | 80 BPM | ||
| (After Sweet Memories) Play Born To Lose Again | Dottsy | G Major | 3 | 9B | 106 BPM | ||
| Do You Ever Fool Around | Joe Stampley | D♭ Major | 3 | 3B | 81 BPM | ||
| Who Do You Know In California | Eddy Raven | A Major | 6 | 11B | 118 BPM | ||
| You're The Last Thing I Needed Tonight | John Schneider | E♭ Major | 2 | 5B | 77 BPM | ||
| Send a Message to My Heart (with Patty Loveless) | Dwight Yoakam, Patty Loveless | B♭ Major | 5 | 6B | 128 BPM | ||
| Come Next Monday | K.T. Oslin | A Major | 5 | 11B | 82 BPM | ||
| I Don't Remember Loving You | John Conlee | D Major | 8 | 10B | 84 BPM | ||
| The Very Best Is You | Charly McClain | E Major | 3 | 12B | 175 BPM | ||
| Good Woman Blues | Henson Cargill | G Major | 5 | 9B | 109 BPM | ||
| You Really Had Me Going | Holly Dunn | A♭ Major | 7 | 4B | 128 BPM | ||
| Party Time (Rerecorded) | T.G. Sheppard | F Major | 5 | 7B | 100 BPM | ||
| Slippin' Away | Jean Shepard | F♯ Major | 5 | 2B | 108 BPM | ||
| Well Don't You Know - Remastered | Billy 'Crash' Craddock | C Major | 4 | 8B | 96 BPM | ||
| If I Had To Do It All Over Again | Roy Clark | G Major | 6 | 9B | 102 BPM | ||
| Every Second | Collin Raye | F Major | 5 | 7B | 145 BPM | ||
| I Never Picked Cotton | Roy Clark | A Major | 6 | 11B | 94 BPM | ||
| I Don't Want to Have to Marry You | Jim Ed Brown, Helen Cornelius | A Major | 3 | 11B | 78 BPM | ||
| Satin Sheets | Jeanne Pruett | D Major | 3 | 10B | 99 BPM | ||
| Running Kind | Merle Haggard & The Strangers | G Major | 5 | 9B | 137 BPM | ||
| Let's Go All the Way | Norma Jean | A Major | 3 | 11B | 142 BPM | ||
| Truly True - Remastered | Billy 'Crash' Craddock | C Major | 4 | 8B | 96 BPM | ||
| Last Cheater's Waltz | T.G. Sheppard | C Major | 3 | 8B | 98 BPM | ||
| (Now and Then There's) A Fool Such As I | Baillie & The Boys | A Major | 3 | 11B | 102 BPM |