Jacinto Guerrero, Nicasio Tejada's ' "La Rosa del Azafrán: Dúo Cómico: "Pero Ven Acá"" was released on its scheduled release date, October 9, 1959. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jacinto Guerrero, Nicasio Tejada's "La Rosa del Azafrán" album is number 9 out of 18. On top of that, Spain appears to be the country where this track was created. La Rosa del Azafrán: Dúo Cómico: "Pero Ven Acá" is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Rosa del Azafrán: Dúo Cómico: "Pero Ven Acá" by Jacinto Guerrero, Nicasio Tejada to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
| ¡Cinco Minutos Nada Menos!: "Si Quieres Ser Feliz Con las Mujeres" | José Muñoz Román, Jacinto Guerrero, Gran Orquesta del Teatro Martín de Madrid | E♭ Major | 5 | 5B | 137 BPM | ||
| Die Csardasfürstin: Weißt du es noch | Emmerich Kálmán, Angelika Kirchschlager, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | C Minor | 2 | 5A | 81 BPM | ||
| Dale Fuego al Chaparral / Yo Tenía, Yo Tenía - Remastered | Jesús Gracia, Piedad Gil, Rondalla Santamaría, Florencio Santamaría | C Major | 4 | 8B | 85 BPM | ||
| Berlioz: La damnation de Faust, Op. 24, H 111, Pt. 2: "Villes entourées" - "Jam nox stellata velamina pandit" (Chœur, Faust, Méphistophélès) | Hector Berlioz, Kent Nagano, Chœur de l’Opéra de Lyon, José van Dam, Thomas Moser, Orchestre de l'Opéra de Lyon | F Major | 2 | 7B | 113 BPM | ||
| Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
| Bellini: Norma, Act 2: "Già mi pasco ne' tuoi sguardi" (Norma, Pollione) | Vincenzo Bellini, Maria Callas, Franco Corelli, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 2 | 4B | 90 BPM | ||
| Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
| La Verbena de la Paloma, Act I: Couplets de Don Hilarión (Hilarón) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | B♭ Major | 1 | 6B | 119 BPM | ||
| The Rake's Progress / Act 2 / Scene 3: "As I was saying, both brothers.." | Igor Stravinsky, Sarah Walker, Philip Langridge, London Sinfonietta, Riccardo Chailly | D Minor | 2 | 7A | 141 BPM | ||
| La Verbena de la Paloma: Una Morena y una Rubia: "Seguidillas" | Tomás Bretón, Ricardo De La Vega, Coros Cantores De Madrid, Ataúlfo Argenta | B♭ Major | 4 | 6B | 92 BPM | ||
| La Fama del Tartanero: "Tío Latines, Si Usted Sabe..." | L. Manzano, M. de Góngora, Jacinto Guerrero, Gran Orquesta Sinfonica | C Major | 5 | 8B | 124 BPM | ||
| Goyescas (with The Royal Philharmonic Orchestra) | Luis Cobos, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 112 BPM | ||
| Los de Aragon, Romanza de Agustin: Cuantas veces solo … Los de Aragon | Jose Serrano, José Carreras, English Chamber Orchestra, Antoni Ros Marbá | B Major | 2 | 1B | 65 BPM | ||
| Vivir Así es Morir de Amor | Camilo Blanes Cortés, José Manuel Zapata, Juan Francisco Padilla, Orquesta de Extremadura | A Minor | 8 | 8A | 106 BPM | ||
| L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Ramón Vargas, SWR Symphony Orchestra, Marco Armiliato | B♭ Minor | 1 | 3A | 165 BPM | ||
| Luisa Fernanda, Acto i: Caballero del alto plumero | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | A Major | 2 | 11B | 85 BPM | ||
| Cavalleria rusticana: A voi tutti salute! | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Gian Giacomo Guelfi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | E Major | 1 | 12B | 174 BPM | ||
| Bellini: I puritani: "Credeasi, misera, da me tradita" (Arturo, Elvira, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D♭ Major | 3 | 3B | 181 BPM | ||
| El Huesped del Sevillano: "Fiel Espada Triunfadora" | Alfredo Kraus | E Major | 2 | 12B | 117 BPM | ||
| Los gavilanes, Acto II: Tocad Tamborileros | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | A♭ Major | 3 | 4B | 94 BPM | ||
| Barbieri: El barberillo de Lavapiés: "Canción de Paloma" | Lisette Oropesa | A Major | 2 | 11B | 142 BPM | ||
| Cilèa: L'Arlesiana, Act 2: "È la solita storia del pastore" (Federico) | Francesco Cilea, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | A Minor | 1 | 8A | 168 BPM | ||
| La Villana, Acto III: El Perdón - Remastered | Federico Romero, Guillermo Fernández-Shaw, Amadeo Vives, Jacinto Guerrero, Marcos Redondo | D Major | 1 | 10B | 75 BPM | ||
| Qué Importa Que Madrid Sea / La Emoción Que Hay en la Jota | Jesús Gracia | G Major | 2 | 9B | 174 BPM |