Mohammed Aziz's ' "Bhagwan Kis Qasoor Ki, Pt. 2" was released on its scheduled release date, December 31, 1992. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 7 in the song's album "Tyagi (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from India. In terms of popularity, Bhagwan Kis Qasoor Ki, Pt. 2 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Bhagwan Kis Qasoor Ki, Pt. 2 by Mohammed Aziz having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chukdum Chukdum | Mohammed Aziz | D♭ Major | 9 | 3B | 118 BPM | ||
| Tum Yaad Na Aaya Karo | Ram Shankar | G Minor | 8 | 6A | 131 BPM | ||
| Main Rahun Tum Raho Doosra Koi Na Ho | Asha Bhosle, Mohammed Aziz | C Minor | 7 | 5A | 144 BPM | ||
| Madhubala Gazab Kar Dala | Vinod Rathod | E Minor | 7 | 9A | 174 BPM | ||
| Deewane Tere Naam Ke | Sukhwinder Singh, Laxmikant–Pyarelal | E♭ Major | 6 | 5B | 132 BPM | ||
| Tu Kal Chala Jayega - Mohdaziz | Mohammed Aziz, Laxmikant–Pyarelal | E♭ Minor | 4 | 2A | 124 BPM | ||
| Dil Diwane Ka Dola Dildar Ke Liye | Anwar | D♭ Major | 3 | 3B | 110 BPM | ||
| Kabhi Patjhad Hai | Mohammed Aziz | A♭ Major | 7 | 4B | 79 BPM | ||
| Har Kasam Tod Di | Madhusmita | B Major | 2 | 1B | 116 BPM | ||
| Is Duniya Mein Kaun Sunega | Mohammed Aziz | E♭ Major | 8 | 5B | 90 BPM | ||
| Haal Kya Hai Dilon Ka - Jhankar Beats | DJ Harshit Shah, DJ MHD IND, Kishore Kumar | C Major | 9 | 8B | 96 BPM | ||
| Tu Pyar Hai Kisi Aur Ka | Bhushan Dua | A♭ Minor | 9 | 1A | 104 BPM | ||
| Zamane Ki Buraai Mujh Mein Hai Sanam | Vipin Sachdeva | F♯ Major | 7 | 2B | 130 BPM | ||
| Tumhein Dil Se Kaise Juda Hum Karenge | Anuradha Paudwal, Mohammed Aziz | D♭ Minor | 8 | 12A | 150 BPM | ||
| Aei Mere Doston | Anu Malik, Mohammed Aziz | A♭ Minor | 8 | 1A | 129 BPM | ||
| Bekhudi Ka Bada Sahara Hai | S. P. Balasubrahmanyam, Laxmikant–Pyarelal | F♯ Major | 5 | 2B | 101 BPM | ||
| Log Aaten Hain | Poornima | G Minor | 6 | 6A | 118 BPM | ||
| Aankhon Mein Basa Loon Toh | Kavita Krishnamurthy, Mohammed Aziz | C Minor | 4 | 5A | 165 BPM | ||
| Gagan Yeh Samjhe Chand Sukhi Hai | Jaspal Singh | B Major | 4 | 1B | 125 BPM | ||
| Ae Mere Dil Bata Kya Bura | Agam Kumar Nigam | G Minor | 7 | 6A | 157 BPM | ||
| Khushi Ki Woh Raat Aa Gayi | Mukesh, Laxmikant–Pyarelal | G Major | 4 | 9B | 101 BPM | ||
| Shukriya Shukriya | Madhusmita, Nikhil Vinay | E Minor | 4 | 9A | 140 BPM | ||
| Tu Mujhe Kabool | Kavita Krishnamurthy, Mohammed Aziz | A♭ Major | 6 | 4B | 88 BPM | ||
| Kahan Jaye Koi | Shankar Mahadevan, Preeti Uttam | D♭ Major | 6 | 3B | 104 BPM | ||
| Teri Jawani Badi Mast Mast Hai | Iqbal Afjal Sabri, Anupama | B Minor | 9 | 10A | 130 BPM |