"Enter The Asylum" by Nick Arundel had its release date on November 15, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 27 in Batman: Arkham Asylum (Original Video Game Score) by Nick Arundel, Ron Fish. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Enter The Asylum is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enter The Asylum by Nick Arundel is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| End of Umbrella | Kota Suzuki, 千本木操 | B Minor | 3 | 10A | 77 BPM | ||
| Moonlit Ranging | Inon Zur | F Major | 0 | 7B | 75 BPM | ||
| Origin of Tragedy - Final Battle | Kota Suzuki, 内山 修作 | C Minor | 6 | 5A | 105 BPM | ||
| Ground Zeroes | Ludvig Forssell | F♯ Major | 5 | 2B | 156 BPM | ||
| G.C.P.D. | Christopher Drake | F♯ Minor | 6 | 11A | 88 BPM | ||
| Finale | Samuel Laflamme | C Minor | 2 | 5A | 96 BPM | ||
| Gobi, 2012 | Natalie Holt | D♭ Major | 4 | 3B | 133 BPM | ||
| TVA | Natalie Holt | D♭ Major | 5 | 3B | 108 BPM | ||
| Under New Stars | Jesse Harlin | B♭ Major | 0 | 6B | 70 BPM | ||
| Male Ward Chase | Samuel Laflamme | D♭ Major | 7 | 3B | 163 BPM | ||
| The Hunter | SIE Sound Team | C Major | 6 | 8B | 97 BPM | ||
| Gotham City Overture | Shirley Walker | F Minor | 3 | 4A | 82 BPM | ||
| Omen | SIE Sound Team | B♭ Major | 1 | 6B | 130 BPM | ||
| The Right Side of History | Wilbert Roget, II | B♭ Major | 5 | 6B | 108 BPM | ||
| Suite from X2 | John Ottman | B♭ Major | 2 | 6B | 82 BPM | ||
| Decepticons | Steve Jablonsky | D Major | 4 | 10B | 140 BPM | ||
| Commies | Sean Murray | D♭ Major | 6 | 3B | 145 BPM | ||
| Rise of the Tomb Raider | Bobby Tahouri | E♭ Major | 3 | 5B | 80 BPM | ||
| Just Begun Your Test | Charlie Clouser | G Major | 4 | 9B | 137 BPM | ||
| Nemesis' Theme | Masami Ueda | D Major | 1 | 10B | 111 BPM | ||
| Dark Skies | David Buckley | F Major | 0 | 7B | 120 BPM | ||
| Apex Legends: Main Theme | Stephen Barton | B♭ Major | 6 | 6B | 120 BPM | ||
| Drums from Hell | Kota Suzuki | C Minor | 6 | 5A | 105 BPM | ||
| Epilogue | Sean Murray | D Minor | 2 | 7A | 67 BPM | ||
| Tram Station | Trevor Gureckis | A♭ Major | 2 | 4B | 75 BPM |