Conlon Nancarrow's ' "Study No. 28" was released on its scheduled release date, January 1, 1977. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Study No. 28's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Studies for Piano Player". In this album, this song's track order is #10. In terms of popularity, Study No. 28 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Study No. 28 by Conlon Nancarrow having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Radio Rewrite: I. Fast | Steve Reich, Alan Pierson, Alarm Will Sound | E Minor | 3 | 9A | 166 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 1. Leicht zart | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 0 | 3A | 90 BPM | ||
| Verklärte Nacht, Op. 4 - Version for String Sextet: I. Sehr langsam | Arnold Schoenberg, LaSalle Quartet, Donald McInnes, Jonathan Pegis | C Minor | 1 | 5A | 85 BPM | ||
| Primer cuaderno: II. Lent | Federico Mompou | E Minor | 0 | 9A | 101 BPM | ||
| Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
| Les chauves-souris choréographique | Niklas Sivelov | A Minor | 3 | 8A | 171 BPM | ||
| Piano Concerto No. 1, BB 91, Sz. 83: II. Andante | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
| Tabula rasa: I. Ludus. Con moto - Live | Arvo Pärt, Gidon Kremer, Tatiana Grindenko, Alfred Schnittke, Lithuanian Chamber Orchestra, Saulus Sondeckis | A Minor | 1 | 8A | 95 BPM | ||
| Piano Sonata No. 7 ("White Mass"), Op. 64 | Alexander Scriabin, Vladimir Ashkenazy | D♭ Major | 1 | 3B | 79 BPM | ||
| Romance | Kotaro Fukuma | G Minor | 0 | 6A | 164 BPM | ||
| A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | ||
| Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | ||
| Second Etude | Michael Rosas Cobian, Gabriela Ortiz | A Major | 2 | 11B | 67 BPM | ||
| Urban March (Shadow) | Meredith Monk, Bruce Brubaker, Ursula Oppens | G Major | 1 | 9B | 82 BPM | ||
| Piano Concerto No. 1, BB 91, Sz. 83: I. Allegro moderato - Allegro | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | G Major | 3 | 9B | 124 BPM | ||
| Música callada I: No. 2, Lent | Federico Mompou, Stephen Hough | E Minor | 0 | 9A | 86 BPM | ||
| Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | C Minor | 1 | 5A | 136 BPM | ||
| In the Light of Air: II. Serenity | Anna Thorvaldsdottir, International Contemporary Ensemble | C Major | 1 | 8B | 69 BPM | ||
| Kleine Dreigroschenmusik: I. Overture | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | B♭ Major | 2 | 6B | 91 BPM | ||
| Avalokiteshvara (Music for Harp) - 1964 | Lou Harrison, Floraleda Sacchi | F Minor | 1 | 4A | 142 BPM | ||
| Elf kurze Stücke: No. 5 in F Major | Anton Webern, Jean-Jacques Dünki | F Major | 0 | 7B | 61 BPM | ||
| Nagoya Marimbas | Steve Reich, Sean Connors, Peter Martin | A Minor | 3 | 8A | 199 BPM | ||
| The Gleaner | Larry Grenadier | D Major | 0 | 10B | 90 BPM |