On 1998, the song "Scherzino maya" was released by Hector Rojas. With This song being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hector Rojas's "Manuel M. Ponce Obra Completa para Piano" album is number 9 out of 186. Scherzino maya is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Scherzino maya by Hector Rojas to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Valses Venezolanos: Vals No. 3 (Vals criollo) | Antonio Lauro, Adam Holzman | E Major | 1 | 12B | 96 BPM | ||
| Children's Song No. 1 (Arr. for guitar by Forbes Henderson) - Classical Session | Chick Corea, Sean Shibe | C Major | 0 | 8B | 93 BPM | ||
| Comptine d'un autre été, l'après-midi (Arr. Lefvert for Guitar) | Alexandra Whittingham | D Major | 1 | 10B | 96 BPM | ||
| Brouwer: Canción de cuna | Manuel Barrueco | G Minor | 0 | 6A | 113 BPM | ||
| 12 Songs for Guitar: No. 7, A Song of Early Spring (Arr. T. Takemitsu) | Akira Nakata, Shin-ichi Fukuda | A Major | 1 | 11B | 72 BPM | ||
| La Frontera de Dios: III. Idilio | Regino Sáinz de la Maza, Franz Halász | E Minor | 0 | 9A | 136 BPM | ||
| Sor : Study No.6 | Fernando Sor, John Fulford Music | E♭ Minor | 2 | 2A | 70 BPM | ||
| Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
| Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM | ||
| Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM | ||
| Jobim: Road to the Sun | Antônio Carlos Jobim, Sharon Isbin | D Major | 0 | 10B | 79 BPM | ||
| 3 Pieces latino americaines (3 Latin American Pieces), No. 1. Danza del altiplano: No. 2, Triste argentino | Leo Brouwer, Flavio Cucchi | E Minor | 0 | 9A | 88 BPM | ||
| "Nocturne" Reverie, Op. 19 | Giulio Regondi, Tal Hurwitz | D Major | 2 | 10B | 128 BPM | ||
| Preludio BWV 1007 | J. S. Bach, Anabel Montesinos | D Major | 1 | 10B | 145 BPM | ||
| In Silver Light | Gerard Cousins | G Major | 0 | 9B | 97 BPM | ||
| Piano Concerto: 1st movement: Allegro non troppo | Manuel Ponce, Jorge Federico Osorio, The State of Mexico Symphony Orchestra, Enrique Bátiz | E♭ Major | 0 | 5B | 90 BPM | ||
| Chanson in B Minor, Op. 71 | Francis Kleynjans, Alexandra Whittingham | D Major | 0 | 10B | 131 BPM | ||
| Torija | Federico Moreno Torroba, Shiri Coneh | D Major | 1 | 10B | 76 BPM | ||
| Barrios Mangoré: La catedral: III. Allegro solemne | Thibaut García | B Minor | 2 | 10A | 128 BPM | ||
| No. 4, Songs My Mother Taught Me (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | G Major | 0 | 9B | 70 BPM | ||
| Sonate en ré mineur, K. 1: Allegro | Domenico Scarlatti, Thibault Cauvin | D Minor | 2 | 7A | 183 BPM | ||
| Keyboard Sonata in D Minor, R. 39 (Arr. for 2 Guitars by Volker Niehusmann) | Antonio Soler, Niehusmann Guitar Duo | A Minor | 2 | 8A | 86 BPM | ||
| Castillos de España II: No. 3, Alcaniz | Federico Moreno Torroba, Ana Vidović | D Major | 0 | 10B | 141 BPM | ||
| Guitar Sonata: III. Allegro non troppo e piacevole | Adam Holzman, Stephanie Martin, Manuel Ponce | F♯ Minor | 1 | 11A | 110 BPM | ||
| Debussy: Arabesque No. 1, L. 66 | Claude Debussy, Rosie Bennet | G Major | 1 | 9B | 99 BPM |