Jaime Córdoba's 'The First Cut Is the Deepest' had a release date set for January 17, 2020. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since The First Cut Is the Deepest only contains only one song in the album, we like to consider this song as a single. The First Cut Is the Deepest is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The First Cut Is the Deepest by Jaime Córdoba having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Never Enough - From "The Greatest Showman" | Nicholas Gold, Phillip Keveren | A♭ Major | 2 | 4B | 89 BPM | ||
| What's Up | Alessandro Gilardi | D♭ Major | 2 | 3B | 127 BPM | ||
| It Must Have Been Love - Piano version | Mark Benson | F Major | 1 | 7B | 118 BPM | ||
| Sunroof - Piano | Teddy Knight | F Major | 0 | 7B | 72 BPM | ||
| Your Song - Piano Version | Marc Ventus | C Minor | 3 | 5A | 105 BPM | ||
| Bad Romance | Emelie Norstadt | A Minor | 3 | 8A | 100 BPM | ||
| Memories | Love Falk | B Major | 0 | 1B | 76 BPM | ||
| Gotta Go My Own Way - Piano version | Christian Salerno | B Minor | 8 | 10A | 105 BPM | ||
| Viva La Vida | Brandon Myles | A Major | 1 | 11B | 94 BPM | ||
| Too Good At Goodbyes | Isla Bell | F Major | 0 | 7B | 160 BPM | ||
| Time After Time | Brennan Lynch | F Major | 1 | 7B | 114 BPM | ||
| Father and Son | Jaime Córdoba | G Major | 1 | 9B | 133 BPM | ||
| Wonderwall | Pia Nouvelle | A Minor | 0 | 8A | 129 BPM | ||
| You and Me | Benny Garner | G Major | 0 | 9B | 149 BPM | ||
| Beautiful | Brandon Myles | F Minor | 3 | 4A | 76 BPM | ||
| Come To My Window | Arturo Jimenes | G Major | 3 | 9B | 75 BPM | ||
| Samson | Inkoolu | B Major | 1 | 1B | 164 BPM | ||
| With a Little Help From My Friends | Playing To Pitch In | A Major | 0 | 11B | 113 BPM | ||
| Sweet Child of Mine - Piano | Vanessa Stansfield | F♯ Major | 1 | 2B | 210 BPM | ||
| Forever Young - Piano Version | Alec Dufner | G Major | 2 | 9B | 141 BPM | ||
| Those 80´s TV Shows | Jaime Córdoba | E Major | 3 | 12B | 115 BPM | ||
| Kefalli | Jaime Córdoba | F Major | 1 | 7B | 115 BPM | ||
| Perfect | Collin Hill | A Major | 2 | 11B | 98 BPM | ||
| The Typewriter (From the Piano Sessions Series) | Jaime Córdoba | C Major | 4 | 8B | 105 BPM | ||
| Let It Be - Piano Version | Mark Benson | E♭ Major | 1 | 5B | 60 BPM |