Jiya Rani's ' "Chal Re Kanwariya Baba Dham" was released on its scheduled release date, February 15, 2021. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. Because this song is the only song in Chal Re Kanwariya Baba Dham and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Chal Re Kanwariya Baba Dham's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Chal Re Kanwariya Baba Dham by Jiya Rani is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Payal Bole Mor Chhan Chhan | Jiya Rani | A♭ Major | 8 | 4B | 95 BPM | ||
| Chahke Chiraiya | Aaru Sahu | E♭ Major | 8 | 5B | 113 BPM | ||
| Kajar Anjaye | Vivek Sharma, Shivani Janghel | C Minor | 8 | 5A | 130 BPM | ||
| Tor Surata Aate O | Wahid Qureshi | E Major | 9 | 12B | 144 BPM | ||
| Man Mohini Turi | Gofelal Gendle, Anupama Mishra | B♭ Minor | 7 | 3A | 80 BPM | ||
| Tore Been Ke Dhun La | Jiya Rani, Ranjan | D Minor | 9 | 7A | 120 BPM | ||
| Kantikartik Yadav (Dai Mola Darsan Dede) CG Jasgeet | 360india | E♭ Minor | 7 | 2A | 145 BPM | ||
| Samdhin Gadgadaye He | Prem Anand Chauhan, Tijan Patel | F♯ Major | 8 | 2B | 87 BPM | ||
| Tor Pairi Ke Runjhun Me | Mithlesh Sahu, Mamta Sahu | F♯ Major | 8 | 2B | 78 BPM | ||
| Mharo Babo Mhane | Vivek Sharma | D♭ Major | 7 | 3B | 75 BPM | ||
| Mayaru Dauna Paan | Vivek Sharma, Anupama Mishra | A♭ Major | 8 | 4B | 172 BPM | ||
| Mor Maya La Ha | Seema Kaushik | F Minor | 7 | 4A | 105 BPM | ||
| Ali Warga Zamane Te | Tahseen Sakina | C Minor | 8 | 5A | 130 BPM | ||
| Man Ma Bandh Ke Rakhe Hav | Minendra Yadav, Champa Nishad | A♭ Minor | 9 | 1A | 124 BPM | ||
| Aaja Aaja Mor Maina | Sheikh Ameen, Mamta Sahu | F♯ Major | 8 | 2B | 136 BPM | ||
| Tor Maya Paye Bar | Nasib Chauhan, Mongra Vishwakarma | F♯ Major | 8 | 2B | 135 BPM | ||
| Hanumaan chalisa | Nitin Dubey | E Major | 7 | 12B | 90 BPM | ||
| Manchala Bigad Ge | Rajju Manchala, Champa Nishad | F♯ Major | 8 | 2B | 153 BPM | ||
| Mola Surta Ma Dare | Chhaya Chandrakar, Mithlesh Sahu | F♯ Major | 7 | 2B | 138 BPM | ||
| Guru Ghasi Baba - Panthi Geet | Anit Sahu, Kiran Sahu | F♯ Major | 8 | 2B | 153 BPM | ||
| Singar Ma Chunri Lal (Kantikartik Yadav) CG Song | OP Dewangan | D♭ Major | 9 | 3B | 120 BPM | ||
| Mor Kundru | Shivani Vaishnav, Dilip Ray | B Minor | 7 | 10A | 135 BPM | ||
| Tor Dihi Ke Diya (Kantikartik) | OP Dewangan | D Major | 6 | 10B | 152 BPM | ||
| De To Dagni La | Jiya Rani | A♭ Minor | 7 | 1A | 116 BPM | ||
| Purwaiya Laye He Sandesha | Jiya Rani | C Minor | 8 | 5A | 130 BPM |