Good Times Come Back - Idriss Chebak Rework
Rasmus Faber, Beldina, Idriss Chebak
Good Times Come Back, Pt. 2 (feat. Beldina)
6:03 October 24, 2011
BPM
128
Key
B♭ Minor
Camelot
3A

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Good Times Come Back - Idriss Chebak Rework by Rasmus Faber, Beldina, Idriss Chebak Song Details

Rasmus Faber, Beldina, Idriss Chebak's 'Good Times Come Back - Idriss Chebak Rework' had a release date set for October 24, 2011. This song is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The track order of this song in Rasmus Faber's "Good Times Come Back, Pt. 2 (feat. Beldina)" album is number 3 out of 5. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Good Times Come Back - Idriss Chebak Rework's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.

BPM and Tempo

We consider the tempo marking of Good Times Come Back - Idriss Chebak Rework by Rasmus Faber, Beldina, Idriss Chebak to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-8.211 dB
Acousticness
8%
Danceability
73%
Energy
67%
Instrumentalness
35%
Liveness
8%
Loudness
86%
Speechiness
38%
Valence
30%

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ISRC
SEWUG1101203
Label
L-M Records/RCA Records