"Who Made This Path" by Rik Rue had its release date on April 9, 1998. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Sample / Shuffle / Interplay". In this album, this song's track order is #4. In terms of popularity, Who Made This Path is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Who Made This Path by Rik Rue having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clippers and Close Details | ASMR Zeitgeist | F Major | 1 | 7B | 73 BPM | ||
| Au marche de Saint-Ouen | Kahimi Karie | G Minor | 6 | 6A | 83 BPM | ||
| The Crab-Grass Baby | Frank Zappa | D♭ Major | 4 | 3B | 125 BPM | ||
| NoiZy Fanfare | Masaru Yokoyama | F♯ Minor | 3 | 11A | 119 BPM | ||
| Opina | Pablo's Eye | E Minor | 2 | 9A | 160 BPM | ||
| Clara | Zeno Gabaglio | F Major | 1 | 7B | 96 BPM | ||
| Q-Tip | Yonlu | D Minor | 4 | 7A | 76 BPM | ||
| The Telephone Call | Chromatics | C Minor | 5 | 5A | 78 BPM | ||
| Battery | Lurka | D♭ Major | 6 | 3B | 140 BPM | ||
| Goodbye | Neil Cicierega Archive | A Major | 4 | 11B | 41 BPM | ||
| O Ball R' E' Pezzient Reprise | Al Mukawama, O Zulu, Dj Perch (Zion Train) | B♭ Minor | 6 | 3A | 160 BPM | ||
| C.C.K. Turf | RJD2 | F♯ Major | 3 | 2B | 117 BPM | ||
| Nasal Retentive Calliope Music | The Mothers Of Invention | B♭ Minor | 9 | 3A | 131 BPM | ||
| 3/31 | sixwing | C Major | 5 | 8B | 118 BPM | ||
| Lines In The Sand | Higher Intelligence Agency | F Major | 1 | 7B | 73 BPM | ||
| Teil 12 - Folge 12: Stimmen aus dem Jenseits | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Otto Czarski, Jürgen Thormann, Maria Axt, Hans-Werner Bussinger, Paul Paulschmidt | D♭ Minor | 4 | 12A | 87 BPM | ||
| Silent Construct | James Primate | E♭ Major | 2 | 5B | 78 BPM | ||
| SKIT: OBLIVION | Brent Faiyaz | F♯ Minor | 5 | 11A | 75 BPM | ||
| Once Upon A Time... | Emili | F Major | 1 | 7B | 73 BPM | ||
| La Banda | The Latin Souls | G Major | 7 | 9B | 91 BPM | ||
| Borkum sehen und sterben Kapitel 17 | Insel-Krimi | B♭ Minor | 6 | 3A | 83 BPM | ||
| Pianodub | Die Anarchistische Abendunterhaltung | A Minor | 4 | 8A | 78 BPM | ||
| Danse Macabre | Celtic Frost | E Minor | 0 | 9A | 68 BPM | ||
| Um Cafuné Na Cabeça Malandro | Milton Nascimento | F Minor | 1 | 4A | 64 BPM | ||
| Prelude | Parliament | C Major | 4 | 8B | 168 BPM |