Native Harrow's 'Let Be' had a release date set for June 2, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Sorores". In this album, this song's track order is #8. Let Be is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Let Be by Native Harrow having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Before We Said Goodbye | The Third Mind | G Major | 4 | 9B | 96 BPM | ||
| Footnotes On The Map - Live At Green Note | Jessie Buckley, Bernard Butler | C Major | 5 | 8B | 120 BPM | ||
| Southern Man | Chris Pierce | E Minor | 3 | 9A | 144 BPM | ||
| The Lonesome Death of Hattie Carroll | Aoife O'Donovan, The Knights | B♭ Major | 2 | 6B | 79 BPM | ||
| Sing To Me | Luther Dickinson, Amy Helm | B Major | 3 | 1B | 114 BPM | ||
| Sunny Days | Lucy Kitchen | D Major | 5 | 10B | 72 BPM | ||
| The Ones | The Autumn Defense | A Major | 7 | 11B | 107 BPM | ||
| Morning Morgantown | Jesca Hoop | A Major | 2 | 11B | 135 BPM | ||
| Beatles V Stones | The Audreys | C Major | 1 | 8B | 98 BPM | ||
| If I Could | Native Harrow | B♭ Minor | 5 | 3A | 81 BPM | ||
| Baby Come Back | Amy Helm | D♭ Major | 7 | 3B | 98 BPM | ||
| Had to Cry Today | Lilly Winwood | C Major | 7 | 8B | 142 BPM | ||
| Soften | Isabel Rumble | G Major | 1 | 9B | 110 BPM | ||
| Nancy & The Pensacola Pimp | The Delines | E Minor | 3 | 9A | 120 BPM | ||
| No Happy Endings | Emma Swift | D Major | 4 | 10B | 136 BPM | ||
| Seasonal | Anna Ash | A♭ Major | 4 | 4B | 119 BPM | ||
| Still Believe in You | Chris Smither | E Major | 3 | 12B | 97 BPM | ||
| Track 10 | Nicki Bluhm, Dillon Warnek | C Major | 5 | 8B | 119 BPM | ||
| Poor Mum | Nadia Reid | E Major | 2 | 12B | 117 BPM | ||
| Detour | Kris Delmhorst, Jeffrey Foucault | D Major | 2 | 10B | 92 BPM | ||
| Summer's Growing Old | Kris Delmhorst, Rose Cousins | D Major | 3 | 10B | 111 BPM | ||
| Easy For You To Say | Ron Sexsmith | E Major | 5 | 12B | 97 BPM | ||
| Anna Rose | Ric Robertson | C Major | 2 | 8B | 201 BPM | ||
| Starship | K·Müün | D Major | 5 | 10B | 72 BPM | ||
| Black Bird | Destinie Lynn | D Major | 5 | 10B | 72 BPM |