"Where Will We Be?" by Redlight had its release date on December 23, 2007. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 11 in Crash System Control by Redlight. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Where Will We Be? is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Where Will We Be? by Redlight is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| LOVE IS THE FUTURE | Customs | C Major | 6 | 8B | 100 BPM | ||
| Bardo Blues | The Widows | C Minor | 4 | 5A | 124 BPM | ||
| Midnight Sea | Pseudocolors | C Minor | 5 | 5A | 128 BPM | ||
| Hold On | Redlight | F♯ Minor | 5 | 11A | 120 BPM | ||
| Egress | No Future | A Major | 7 | 11B | 88 BPM | ||
| Million Dollar Hammer | Splitter Conspiracy | D Major | 9 | 10B | 166 BPM | ||
| Stubborn Stain | RINGARDS | F♯ Major | 7 | 2B | 83 BPM | ||
| All The Help I Need | The EMC | E Minor | 8 | 9A | 152 BPM | ||
| Louder Than The Blues | Pseudocolors | D♭ Minor | 8 | 12A | 142 BPM | ||
| Seiðr | Sparkling Cyanide | B Major | 9 | 1B | 141 BPM | ||
| The Every Boy | Sculpture Club | C Major | 6 | 8B | 100 BPM | ||
| Wanna Be Enough | Painted Vein | C Major | 6 | 8B | 100 BPM | ||
| Waiting To Be Heard | Front Porch Beatnik | E Major | 7 | 12B | 142 BPM | ||
| Rebirth Mantra | Weep Wave | E Major | 9 | 12B | 140 BPM | ||
| Ciao | Late Guest At The Party | F Minor | 9 | 4A | 130 BPM | ||
| Collapsing New People | Daniel Knutz | B Minor | 7 | 10A | 80 BPM | ||
| Out to Get You | Mal Fantome, Kaminski | B Minor | 8 | 10A | 132 BPM | ||
| Hatin' You | Strange Lot | G Major | 9 | 9B | 162 BPM | ||
| Change It! | Tom Minor, Johnny Dalston | C Major | 6 | 8B | 100 BPM | ||
| So Bright | Trevor Lissauer | A Major | 8 | 11B | 88 BPM | ||
| I'm Waiting For The Man | George Mashour | A Major | 4 | 11B | 120 BPM | ||
| Doormat Disco | K-9 Cat | D Major | 9 | 10B | 115 BPM | ||
| Birdcage | Stephen Jaymes | C Major | 6 | 8B | 100 BPM | ||
| Song For Brian | Jonathan Andrew Rysdon, Kevin Michael Ozias | D Major | 8 | 10B | 110 BPM | ||
| Deep Eyes | 2:45 | A Minor | 5 | 8A | 113 BPM |