"Confronting Entropy" by Ulcerate had its release date on September 17, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vermis by Ulcerate. The song's track number on the album is #5 out of 9 tracks. In terms of popularity, Confronting Entropy is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Confronting Entropy by Ulcerate has a tempo of 118 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Confronting Entropy being at 118 BPM, the half-time would be 59 BPM with a double-time of 236 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liberator | Khonsu | A Minor | 8 | 8A | 120 BPM | ||
| Into the Earth | Aquilus | F Major | 2 | 7B | 112 BPM | ||
| The Blaze | Horrendous | F Major | 10 | 7B | 95 BPM | ||
| Poisonous Flowers of Violence | White Ward | D Major | 9 | 10B | 95 BPM | ||
| Apophenia | Serpent Column | D Major | 9 | 10B | 164 BPM | ||
| The Acrimonious Darkness | Cosmic Putrefaction | B Minor | 9 | 10A | 167 BPM | ||
| Of Pillars And Trees | Brodequin | B Minor | 9 | 10A | 140 BPM | ||
| When the Stars Align | Mithras | D♭ Major | 9 | 3B | 127 BPM | ||
| In The Constellation Of The Black Widow | Anaal Nathrakh | A Minor | 10 | 8A | 135 BPM | ||
| Weeping Relic | Horrendous | C Major | 10 | 8B | 172 BPM | ||
| The Message [Tablet I] | Blood Incantation | G Minor | 9 | 6A | 104 BPM | ||
| Dead From Beyond | Undeath | D♭ Major | 10 | 3B | 137 BPM | ||
| Crimson. Pt. 3 | Edge Of Sanity | G Major | 8 | 9B | 95 BPM | ||
| Tome of the Exiled Engineer | Artificial Brain | F♯ Major | 10 | 2B | 125 BPM | ||
| As Spoken | Knoll | D♭ Major | 10 | 3B | 60 BPM | ||
| Tyhjä Temppeli | Oranssi Pazuzu | D Major | 7 | 10B | 142 BPM | ||
| Monolithos | Glacial Tomb | A Major | 10 | 11B | 135 BPM | ||
| Obombration, Pt. 1 | Deathspell Omega | A Major | 5 | 11B | 127 BPM | ||
| The Burning Pits of the Duat | Nile | D♭ Minor | 9 | 12A | 128 BPM | ||
| A Grave Inversed | Ihsahn | D♭ Major | 10 | 3B | 194 BPM | ||
| Red Feasts Condensed into One | Spectral Voice | D Minor | 8 | 7A | 80 BPM | ||
| Brain Transplant | Artificial Brain | G Major | 7 | 9B | 102 BPM | ||
| The Underworld Awaits us All | Nile | B♭ Minor | 9 | 3A | 115 BPM | ||
| The Day After Trinity | Panzerfaust | B♭ Major | 10 | 6B | 143 BPM | ||
| Obscura | Gorguts | A♭ Major | 10 | 4B | 68 BPM |