On 1985, the song "Stand!" was released by Masaki Matsubara. This song is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The song is number 7 out of 8 in Been by Masaki Matsubara. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, Stand! is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Stand! by Masaki Matsubara is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Summer Beach | Yukiko Okada | A Minor | 7 | 8A | 133 BPM | ||
| Hip-Notic Lady | Future Flight | F Minor | 8 | 4A | 110 BPM | ||
| Sunset Road | 高橋玲子 | D♭ Minor | 6 | 12A | 104 BPM | ||
| PERPETUAL MOTION | NANIWA EXPRESS | C Major | 8 | 8B | 165 BPM | ||
| 一本の音楽 - 2012 Remaster | Kazuhito Murata | C Major | 9 | 8B | 147 BPM | ||
| TRANSPARENCY | Issei Noro | F♯ Minor | 7 | 11A | 105 BPM | ||
| Blind Curve | Momoko Kikuchi | B Minor | 6 | 10A | 120 BPM | ||
| 回転扉 | Yurie Kokubu | A Major | 9 | 11B | 118 BPM | ||
| HIGH PRESSURE | MALTA | C Major | 4 | 8B | 69 BPM | ||
| 流宇夢サンド | Masaki Matsubara | B Minor | 3 | 10A | 106 BPM | ||
| 恋の横顔 | Yurie Kokubu | B Minor | 5 | 10A | 116 BPM | ||
| SPACE KID | Yuji Ohno | C Minor | 8 | 5A | 129 BPM | ||
| コーラル・リーフ | Shigeru Suzuki | D♭ Minor | 7 | 12A | 124 BPM | ||
| DO IT AGAIN | S. Kiyotaka & Omega Tribe | B Minor | 6 | 10A | 123 BPM | ||
| 私達を信じていて | Cindy | C Major | 8 | 8B | 117 BPM | ||
| あこがれのセイシェル | Sadistics | A Minor | 8 | 8A | 96 BPM | ||
| I am | Blu-Swing | G Major | 9 | 9B | 105 BPM | ||
| 恋はメモリー | 泰葉 | C Major | 5 | 8B | 149 BPM | ||
| BLUE CURACAO | Sadistics | C Major | 10 | 8B | 137 BPM | ||
| Latin Night | Hatsumi Shibata | B♭ Minor | 9 | 3A | 119 BPM | ||
| 霧雨のあとで | 朝比奈 マリア | B Minor | 8 | 10A | 140 BPM | ||
| LAZY DANCE | Yoko Oginome | C Major | 8 | 8B | 110 BPM | ||
| Night Cruising | Momoko Kikuchi | A Minor | 7 | 8A | 133 BPM | ||
| ドライブ・ソング | EPO | C Major | 7 | 8B | 127 BPM | ||
| Bewitched (Are You Leaving Soon) | Naomi Akimoto | A Minor | 7 | 8A | 133 BPM |