Matteo Carcassi, Julyo's 'Etude Op. 60, No. 17' had a release date set for 2001. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Matteo Carcassi, Julyo's "Julyo plays Carcassi" album is number 6 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, Etude Op. 60, No. 17's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Etude Op. 60, No. 17 by Matteo Carcassi, Julyo to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cinq Études Faciles Ou Presque Moderato | Simone Iannarelli, Sam Desmet | G Minor | 2 | 6A | 172 BPM | ||
| Amanece en Gelida | Beto Stocker | F Major | 2 | 7B | 84 BPM | ||
| Lob der Traenen | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| Aria à deux No. 2 | Francis Kleynjans, Duo Bergerac | E Minor | 1 | 9A | 119 BPM | ||
| Rafaga | Joaquín Turina, Sebastien Llinares | A Major | 3 | 11B | 104 BPM | ||
| Caldera: Visión porteña | Pedro Pablo Caldera, Eliot Fisk | B Minor | 4 | 10A | 78 BPM | ||
| Etudes, Op. 60: Study No. 10, Allegretto | Matteo Carcassi, Tariq Harb | D Major | 3 | 10B | 167 BPM | ||
| Nuevos Estudios Sencillos: No.9. Omaggio a Szymanowski | Miko Régis, Leo Brouwer | D Minor | 3 | 7A | 86 BPM | ||
| 26 Ricercares: No. 12, Ricercare del duodecimo e ultimo tono per duro | Vincenzo Galilei, John Oeth | E Major | 0 | 12B | 57 BPM | ||
| Guitar Sonatina, Op. 52, No. 1: I. Allegretto | Lennox Berkeley, Park Kyuhee | D Major | 1 | 10B | 117 BPM | ||
| Bolero | David Tutmark | A Major | 3 | 11B | 85 BPM | ||
| Cruzando Caminos | Francisco Zavaleta | E Minor | 2 | 9A | 141 BPM | ||
| An die Entfernte | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| Guitar Suite No. 2: IV. Epilogue | Peter Scott Lewis | G Minor | 0 | 6A | 94 BPM | ||
| Mirándote | Luis Sierra Guitarrista | D Major | 1 | 10B | 128 BPM | ||
| Suite Castellana: III. Danza | Federico Moreno Torroba, John Oeth | E Major | 1 | 12B | 66 BPM | ||
| Binibiro Lamang Kita | Raffy Lata | A Major | 1 | 11B | 72 BPM | ||
| Andecy | Andrew York | A Minor | 3 | 8A | 134 BPM | ||
| Maria Luisa | David Tutmark | A Minor | 1 | 8A | 73 BPM | ||
| Let It Fly | Juan Erena, Laura Verdugo del Rey | C Major | 1 | 8B | 165 BPM | ||
| Etude No. 7, Op. 60: Allegro | Jonathan Richter, Matteo Carcassi | A Major | 3 | 11B | 105 BPM | ||
| Yesterday | Luca Cabella | A Major | 0 | 11B | 83 BPM | ||
| Fantasie Weiss | Laurine Phélut | D Minor | 1 | 7A | 125 BPM | ||
| 5 Preludios: No. 3, Tristango en Vos | Maximo Diego Pujol, Jason Vieaux | E Minor | 1 | 9A | 91 BPM | ||
| Sevillana | Joaquín Turina, Sebastien Llinares | D Major | 1 | 10B | 148 BPM |