Ilhan Baran, Fazıl Say's 'Siyah Beyaz: VII. Ağıt' had a release date set for May 30, 2021. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in İlhan Baran (Türk Bestecileri Serisi, Vol. 7), so we believe that "Siyah Beyaz: VII. Ağıt" is a single. The popularity of Siyah Beyaz: VII. Ağıt is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Siyah Beyaz: VII. Ağıt by Ilhan Baran, Fazıl Say is Presto (very, very fast), since this song has a tempo of 197 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM | ||
| Sensation | Bounce Melody | C Major | 0 | 8B | 63 BPM | ||
| Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
| Mendelssohn: String Octet in E-Flat Major, Op. 20, MWV R20: II. Andante | Felix Mendelssohn, Quatuor Ébène, Belcea Quartet | A Minor | 2 | 8A | 174 BPM | ||
| Nocturne No. 1 in E-Flat Minor, Op. 33 No. 1 | Gabriel Fauré, Kun-Woo Paik | B Major | 0 | 1B | 170 BPM | ||
| Rabın Gowende | Kerevan Kuroğlu, Ilhan Baran | B Major | 8 | 1B | 102 BPM | ||
| Say: Cello Sonata, 'Four Cities': I . Sivas | Fazıl Say, Nicolas Altstaedt | B Minor | 2 | 10A | 136 BPM | ||
| Tree Rings | David Tarrodi | B♭ Major | 1 | 6B | 131 BPM | ||
| 24 Dainas: Daina No. 11, Tranquillo | Janis Medins, Arta Arnicane | A Minor | 2 | 8A | 174 BPM | ||
| Álbum do jovem pianista, LG 134: III. Rondel | Fernando Lopes-Graça, Luís Duarte | D Major | 2 | 10B | 144 BPM | ||
| Lamentate: Fragile e conciliante | Arvo Pärt, Ralph van Raat, Netherlands Radio Chamber Philharmonic, Joann Falletta | D♭ Major | 0 | 3B | 94 BPM | ||
| Divertimento: II. Lento | Leo Smit, Onyx Klavierduo | C Major | 0 | 8B | 105 BPM | ||
| Romance in A Minor, WoO 28 | Clara Schumann, Jean-Pierre Armengaud | B Minor | 0 | 10A | 70 BPM | ||
| Nielsen: 5 Piano Pieces, Op. 3: No. 1, Folk Tune | Carl Nielsen, Leif Ove Andsnes | C Major | 0 | 8B | 76 BPM | ||
| Untitled (Circa 1923\1924) | Georges Ivanovitch Gurdjieff, Mario Sollazzo | F Minor | 1 | 4A | 70 BPM | ||
| Le rossignol éperdu, Versailles: No. 49, Le banc songeur | Reynaldo Hahn, Susan Manoff | A Minor | 2 | 8A | 174 BPM | ||
| Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | ||
| Debussy: Preludes, Book 1, L. 117: VIII. La fille aux cheveux de lin | Claude Debussy, Fazıl Say | F♯ Major | 0 | 2B | 66 BPM | ||
| Bagatellen: V | Valentin Silvestrov | G Major | 0 | 9B | 92 BPM | ||
| Kumru, Op.12/2 | Fazıl Say | A Minor | 1 | 8A | 133 BPM | ||
| Pictures at an Exhibition: The Old Castle/ Il vecchio castello | Modest Mussorgsky, Leif Ove Andsnes | D♭ Major | 0 | 3B | 166 BPM | ||
| The Threepenny Opera, Act II: Pollys Lied (Arr. for Piano by Florian Noack) | Kurt Weill, Florian Noack | B Minor | 0 | 10A | 110 BPM | ||
| Milonga en re | Gidon Kremer | D Minor | 1 | 7A | 91 BPM | ||
| Janáček: On an Overgrown Path, Book 1: No. 7, Good Night! | Leoš Janáček, Fazıl Say | C Major | 0 | 8B | 67 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM |