On December 1, 2000, the song "Koro Kajaliyo" was released by Seema Mishra. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The track order of this song in Seema Mishra, Badri Vyas's "Mehandi Rachani (Rajasthani Traditional Songs)" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Koro Kajaliyo is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Koro Kajaliyo by Seema Mishra to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saata Bhai (Vidaai) | Langas And Manganiars | G Major | 8 | 9B | 182 BPM | ||
| Chal Jhamakudi Byaan Ji | Mangal Singh | A♭ Major | 8 | 4B | 140 BPM | ||
| Mithe Ras Se Bharori - Original | Jignesh Dada, NA | F♯ Major | 7 | 2B | 87 BPM | ||
| Marurang | Sonu Kanwar | G Major | 9 | 9B | 150 BPM | ||
| Mehandi - Pilo Odh PomcHo Odhyo | Seema Mishra | D♭ Major | 6 | 3B | 90 BPM | ||
| Sath Sukh Duniya Ra | Navdeep Bikaneri | D♭ Minor | 6 | 12A | 125 BPM | ||
| Mara Ghatmaa Birajta | Sachin Limaye, Aashita Limaye, Vitthal Luhar | C Minor | 7 | 5A | 105 BPM | ||
| Durge Maiya We - Uttarakhandi | Khushi Joshi | B♭ Major | 10 | 6B | 144 BPM | ||
| Laad Ladavo Lala Ne Laad Ladavo | Nidhi Dholakia, Nitin Devka | A♭ Major | 7 | 4B | 140 BPM | ||
| AAVO SHRI VALLBH | NIDHI DHOLKIYA-NITIN DEVKA | F Major | 5 | 7B | 101 BPM | ||
| Mehandi Laga Ke Gori Hathon Me Rakhna | Sunidhi Chauhan, Seema Mishra | B Minor | 7 | 10A | 115 BPM | ||
| MARA SHRI NATHJI NO BHARE CHHE LATKO | Nidhi Dholkia | F♯ Major | 5 | 2B | 162 BPM | ||
| Nam Japile Jogi Jalaram Ka | Arvind Barot, Bhavna Rana | F♯ Minor | 7 | 11A | 83 BPM | ||
| Krishan Bhagwan Chalyan | Lalita Ghodadra, Raghuveer Kunchala | F Major | 7 | 7B | 89 BPM | ||
| Ranat Bhanwar Syu Aawiya | Supriya | E Major | 7 | 12B | 132 BPM | ||
| Bole To Mitho Lage (Rajasthani Indian Folk) | Lalitya Munshaw, Babu Khan | E♭ Major | 9 | 5B | 119 BPM | ||
| Chalo Re Sathida Deshnok Chala Karni Mata Bhajan | Ramavtar Marwadi | F Major | 7 | 7B | 80 BPM | ||
| TAN MAN DHAN | NITIN DEVKA-NIDHO DHOLKIA | D♭ Major | 7 | 3B | 89 BPM | ||
| Mein To Panide Ne Gai Mera Shyam | Seema Mishra, Badri Vyas | E♭ Minor | 5 | 2A | 89 BPM | ||
| Ghammar Ghammar Maru | Lalita Ghodadra, Arvind Barot | E♭ Major | 6 | 5B | 137 BPM | ||
| Mein Vari Jaao | S. Lakbeer Singh Lakha | E Major | 3 | 12B | 76 BPM | ||
| Roj Roj Ka Olma - Original | Prakash Mali Mehandwas, NA | A Major | 10 | 11B | 112 BPM | ||
| Laal Peeli Akhiyaan | Rapperiya Baalam, Anuj Chitlangia, Amol Dangi | F♯ Major | 7 | 2B | 120 BPM | ||
| Bagan Bole Koyali | Gaurav Jain, Seema Mishra | G Major | 5 | 9B | 172 BPM | ||
| Radhe Radhe Rato Chale Aayenge Bihari | Sonal Gadhvi | D♭ Major | 9 | 3B | 142 BPM |