- BPM
- 83
- Key
- G Minor
- Camelot
- 6A
4 Motets: I. Help Us, O Lord by Aaron Copland, Polyphony, Stephen Layton Song Details
"4 Motets: I. Help Us, O Lord" by Aaron Copland, Polyphony, Stephen Layton had its release date on June 28, 2015. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. 4 Motets: I. Help Us, O Lord's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 21 in American Polyphony: Barber, Copland, Bernstein, R. Thompson by Polyphony, Randall Thompson, Stephen Layton, Samuel Barber, Leonard Bernstein, Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 4 Motets: I. Help Us, O Lord is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of 4 Motets: I. Help Us, O Lord by Aaron Copland, Polyphony, Stephen Layton is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Music Key
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -20.43 dB
- Acousticness
- 98%
- Danceability
- 14%
- Energy
- 12%
- Instrumentalness
- 46%
- Liveness
- 16%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | |
 | Wood Notes: I. Singing River: Moderately slow | William Grant Still, Fort Smith Symphony, John Jeter | F Minor | 0 | 4A | 112 BPM | |
 | Momentum: Dance | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | |
 | A Moorside Suite: I. Scherzo (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | D Minor | 2 | 7A | 128 BPM | |
 | The Firebird Suite (1919 Version): Finale - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM | |
 | Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | |
 | Piano Concerto No. 2, Allegro,Opus 102 | Chicago Symphony Orchestra | B♭ Major | 3 | 6B | 144 BPM | |
 | Symphony No. 2 in B Minor: IV. Finale | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D Major | 1 | 10B | 129 BPM | |
 | Folk Tune and Fiddle Dance: Folksong | Percy Fletcher, Royal Ballet Sinfonia, Gavin Sutherland | G Major | 2 | 9B | 85 BPM | |
 | Dances in the Canebrakes (Arr. W.G. Still for Orchestra): No. 2, Tropical Noon | Florence Beatrice Price, Chicago Sinfonietta, Mei-Ann Chen | A Major | 1 | 11B | 134 BPM | |
 | Symphony No. 1 in E Minor: II. Largo, maestoso | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A Major | 0 | 11B | 70 BPM | |
 | Lincolnshire Posy: II. Horkstow Grange | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | |
 | Appalachia Waltz | Mark O'Connor, Yo-Yo Ma & The Silk Road Ensemble, Edgar Meyer | D Major | 0 | 10B | 76 BPM | |
 | Quintettino Op.30 No.6, G.324: 4. Passacalle | Luigi Boccherini, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 77 BPM | |
 | 4 Scottish Dances, Op. 59: No. 3. Allegretto | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | F Major | 0 | 7B | 141 BPM | |
 | Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | |
 | Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | D♭ Major | 0 | 3B | 79 BPM | |
| Lincolnshire Posy: I. Lisbon | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | |
 | Ye Banks And Braes O' Bonnie Doon | Percy Grainger, Slovak Radio Symphony Orchestra | F Major | 1 | 7B | 78 BPM | |
 | Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | |
 | Florida Suite: IV. At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | C Major | 1 | 8B | 74 BPM | |
 | English Folk Song Suite: 2. Intermezzo: My Bonny Boy | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 64 BPM | |
| Symphony No. 2 in A Major: III. Allegro scherzando | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 175 BPM |
- ISRC
- GBAJY1592912
- Label
- L-M Records/RCA Records