"Heavy with Sonata: II. Sarah’s Gigabit Broadband" by Steven Ricks, Aubrey Woods, Alex Woods, Jason Hardink had its release date on May 27, 2022. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Steven Ricks: Assemblage Chamber". In this album, this song's track order is #2. In terms of popularity, Heavy with Sonata: II. Sarah’s Gigabit Broadband is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Heavy with Sonata: II. Sarah’s Gigabit Broadband by Steven Ricks, Aubrey Woods, Alex Woods, Jason Hardink having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| BACK IN TOKIO | YELLOW MAGIC ORCHESTRA | D Minor | 2 | 7A | 59 BPM | ||
| Dennis Steals The Embryo | John Williams | B♭ Minor | 1 | 3A | 173 BPM | ||
| 4'33" | John Cage, Khatia Buniatishvili | F Major | 0 | 7B | 0 BPM | ||
| Modern chorusmusic: Lux Aeterna | György Ligeti, Helmut Franz, Chor des Norddeutschen Rundfunks | A Minor | 1 | 8A | 66 BPM | ||
| Niezwyciężonym: IId. Walka o niepodległość, Nawała bolszewicka 1920 | Tomasz Trzcinski | E Minor | 4 | 9A | 76 BPM | ||
| Dangerous Sprawl pt. 1 - Bonus Track | Oğuz Büyükberber, Christian Asplund, Steven Ricks | D♭ Major | 6 | 3B | 78 BPM | ||
| We Can Shoot You | Frank Zappa | F Major | 1 | 7B | 140 BPM | ||
| Take me home | Martien van der Knijff | A♭ Major | 2 | 4B | 105 BPM | ||
| Behind the Hill | Sofie Birch, Antonina Nowacka | D Minor | 1 | 7A | 80 BPM | ||
| Borboletta | Santana | D♭ Major | 6 | 3B | 136 BPM | ||
| Paranoid Schizophrenia (extended version) | Farrah C. Barry | F Minor | 4 | 4A | 85 BPM | ||
| ヴィンスモーク・サンジ | 田中公平 | G Minor | 0 | 6A | 81 BPM | ||
| Eyes Shut - Nocturne in C Minor | Ólafur Arnalds, Alice Sara Ott | C Minor | 0 | 5A | 107 BPM | ||
| Be-Bop Tango | Frank Zappa | E Minor | 7 | 9A | 107 BPM | ||
| Living Room | Elijah Fox | A♭ Major | 1 | 4B | 107 BPM | ||
| Solar I | Anja Lechner, François Couturier | E Minor | 2 | 9A | 110 BPM | ||
| Sound Design | Ablaye Cissoko | G Minor | 2 | 6A | 81 BPM | ||
| Requiem | Oswald Diab | E Major | 2 | 12B | 71 BPM | ||
| Piano & Violoncello 7 | Irena And Vojtech Havlovi | C Major | 1 | 8B | 79 BPM | ||
| Arrest | Daniel Blumberg | D♭ Minor | 1 | 12A | 87 BPM | ||
| City City City | Derek Bailey, John Zorn, George Lewis | A Minor | 2 | 8A | 112 BPM | ||
| Mystical Vases | ASMR Zeitgeist | D♭ Major | 1 | 3B | 86 BPM | ||
| Scherzo | Perfume Genius | F♯ Major | 0 | 2B | 73 BPM | ||
| Danse Macabre | Celtic Frost | E Minor | 0 | 9A | 68 BPM | ||
| Overtones | Jonny Greenwood | C Major | 2 | 8B | 70 BPM |