Traditional, Paul Robeson, Lawrence Brown's ' "Ezekiel Saw the Wheel - 2024 Remastered Version" was released on its scheduled release date, August 30, 2024. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Paul Robeson Live in London 1958 - 2024 Remastered Version". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Ezekiel Saw the Wheel - 2024 Remastered Version is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Ezekiel Saw the Wheel - 2024 Remastered Version by Traditional, Paul Robeson, Lawrence Brown having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eit Barn Er Født I Betlehem | Millikin University Choirs | E Minor | 9 | 9A | 128 BPM | ||
| Glory be to the Father, and to the Son, and to the Holy Spirit | USSR Ministry of Culture Chamber Choir, Valery Polyansky | B Major | 1 | 1B | 166 BPM | ||
| An Upper Room | Timothy Newton, The Choir of Trinity College, Melbourne, Michael Leighton Jones | G Major | 1 | 9B | 89 BPM | ||
| Adoramus Te Domine | The Songs of Taize Session Singers | E Minor | 1 | 9A | 128 BPM | ||
| No Small Wonder | The Concord Singers | E Minor | 0 | 9A | 68 BPM | ||
| Stella Natalis: II. Lullay | Karl Jenkins | C Major | 0 | 8B | 170 BPM | ||
| God That Madest Earth and Heaven | The Choir of Trinity College, Melbourne, Michael Leighton Jones | G Major | 1 | 9B | 76 BPM | ||
| Winter Wedding Dance | Thomas Hewitt Jones & The Chamber Orchestra of London | G Minor | 3 | 6A | 110 BPM | ||
| Lully, Lullay | The Choir of All Saints' Episcopal Church | F Minor | 2 | 4A | 77 BPM | ||
| Exaudi Nos, Domine | Margaret Rizza, Kevin Mayhew Ltd | B Minor | 1 | 10A | 130 BPM | ||
| Veni Veni Emmanuel | The Schola Cantorum of St. John XXIII Parish | C Major | 2 | 8B | 79 BPM | ||
| The Mass: Benedictus | Patrick Cassidy, Laude, David Harris, Christoph Bull | E♭ Major | 2 | 5B | 101 BPM | ||
| The Winter's Night (feat. Cantus Vocum Chamber Choir) | Cantus Vocum Chamber Choir | A♭ Major | 1 | 4B | 122 BPM | ||
| O Virtus Sapientiae | Hildegard von Bingen, Kirsteen Rogers, Christopher Monks | C Major | 0 | 8B | 76 BPM | ||
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Ave Maria - Bach Gounod | Hannah Holgersson | G Major | 2 | 9B | 112 BPM | ||
| Nu tändas en stund på jorden | Petri Sångare, Alexander Einarsson | B Major | 1 | 1B | 93 BPM | ||
| Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
| Tallis: Spem in Alium - 1. Spem in Alium | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 138 BPM | ||
| Requiem: Agnus Dei | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver | G Major | 0 | 9B | 89 BPM | ||
| Come, Let Us Bow Down | The London Fox Taize Choir | D Minor | 1 | 7A | 82 BPM | ||
| Book II, No. 20 'Non mi toglia' | Carlo Gesualdo, Capella Vocale Hamburg, Martin Behrmann | F Major | 2 | 7B | 84 BPM | ||
| To Equity | The Rosslyn Singers, Mary Oliver | E Major | 2 | 12B | 77 BPM | ||
| Missa de angelis - Kyrie | Schola gregoriana mediolanensis, Giovanni Vianini | D Major | 1 | 10B | 128 BPM | ||
| Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM |