"Mignon: "Connais tu le pays" - Instrumental Version" by Ambroise Thomas, Orchestra Sinfonica Moldava, Silvano Frontalini had its release date on May 4, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 11 in Arias for Mezzosoprano. Only Music (Instrumental Version) by Silvano Frontalini, Orchestra Sinfonica Moldava. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Mignon: "Connais tu le pays" - Instrumental Version is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Mignon: "Connais tu le pays" - Instrumental Version by Ambroise Thomas, Orchestra Sinfonica Moldava, Silvano Frontalini is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Psyché, Act II: Duo. Un inconnu ! Vos yeux n’ont-ils pas vu | Ambroise Thomas, Antoinette Dennefeld, Hélène Guilmette, Hungarian National Philharmonic Orchestra, Gyorgy Vashegyi | B♭ Major | 2 | 6B | 47 BPM | ||
| Il barbiere di Siviglia / Act II: No. 19 Finaletto II: "Di sì felice innesto" | Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Hermann Prey, Enzo Dara, Paolo Montarsolo, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | G Major | 3 | 9B | 109 BPM | ||
| Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM | ||
| Werther / Act 3: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 80 BPM | ||
| Rossini: Petite messe solennelle: VIII. Cum Sancto Spiritu | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 112 BPM | ||
| Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | ||
| Le Caid, Défilé | Ambroise Thomas, Garde Républicaine - Roger Boutry, Roger Boutry | B♭ Major | 7 | 6B | 135 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | ||
| Norma (Ed. Biondi & Minasi), Act I Scene 1: Va, crudele, al Dio spietato | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | ||
| Bizet: Carmen, Act 3: "Ecoute, écoute, compagnon, écoute" (Chorus, Dancaïre, Remendado, José, Carmen, Mercédès, Frasquita) | Georges Bizet, Maria Callas/Nicolai Gedda/Nadine Sautereau/Jane Berbié/Jean-Paul Vauquelin/Maurice Maievski/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 111 BPM | ||
| Psyché, Act I: Air avec chœur. Ah ! si j’avais jusqu’à ce soir | Ambroise Thomas, Hélène Guilmette, Christian Helmer, Mercedes Arcuri, Anna Dowsley, Hungarian National Choir, Hungarian National Philharmonic Orchestra, Gyorgy Vashegyi | B♭ Major | 2 | 6B | 47 BPM | ||
| Bizet: Carmen, Act 1: "Que se passe-t-il donc là-bas?...Au secours!" (Zuñiga, Chorus) | Georges Bizet, Jacques Mars/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Major | 3 | 10B | 75 BPM | ||
| L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
| El Barberillo de Lavapiés: Canción de Paloma | Francisco Asenjo Barbieri, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon, Coro Filarmonico del Regio di Torino, Claudio Fenoglio | A Major | 2 | 11B | 142 BPM | ||
| Siface: Come Nave in mezzo all'onde | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 4 | 12B | 140 BPM | ||
| Norma: Sinfonia | Vincenzo Bellini, Welsh National Opera Orchestra, Richard Bonynge | G Major | 1 | 9B | 140 BPM | ||
| Bellini: I puritani, Act 2: "Qui la voce sua soave" (Elvira) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Minor | 1 | 5A | 61 BPM | ||
| I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
| Psyché, Act I: Finale (Concertato). Du ciel, contre nous courroucé | Ambroise Thomas, Christian Helmer, Philippe Estèphe, Artavazd Sargsyan, Anna Dowsley, Mercedes Arcuri, Tassis Christoyannis, Antoinette Dennefeld, Hélène Guilmette, Hungarian National Philharmonic Orchestra, Gyorgy Vashegyi | B♭ Major | 2 | 6B | 47 BPM | ||
| Carmen, Act I, No.4 Choeur des Cigarières: Mais nous ne voyons pas la Carmencita!...Quand je vous aimerai? (Jeunes gens/Dragons/Cigarières/Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 107 BPM | ||
| Mignon / Act I: "Connais-tu le pays" | Ambroise Thomas, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | D♭ Major | 0 | 3B | 71 BPM | ||
| Psyché, Act III: Quatuor. Ah ! Ah ! | Ambroise Thomas, Mercedes Arcuri, Anna Dowsley, Artavazd Sargsyan, Philippe Estèphe, Hungarian National Philharmonic Orchestra, Gyorgy Vashegyi | E Minor | 4 | 9A | 82 BPM | ||
| Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
| Gounod: Faust, Act 1: "Ah ! Paresseuse fille qui sommeille encor !" - Chœur des laboureurs. "Aux champs l'aurore nous rappelle" (Chœur, Faust) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM |