Mohammed Rafi's ' "Chal Ud Jare Panchhi" was released on its scheduled release date, January 1, 1957. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 9 in Bhabhi by Chitragupta, Rajendra Krishan. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Chal Ud Jare Panchhi is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Chal Ud Jare Panchhi by Mohammed Rafi is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kabhi Raat Din Hum Door The | Lata Mangeshkar, Mohammed Rafi, Kalyanji-Anandji | E♭ Minor | 7 | 2A | 81 BPM | ||
| Sona Kare Kaise Jhilmil Jhilmil | Hemlata, Suresh Wadkar | E Minor | 6 | 9A | 102 BPM | ||
| Kahan Se Aaye Badra | Haimanti Sukla, K. J. Yesudas | D♭ Minor | 4 | 12A | 86 BPM | ||
| Hamen To Loot Liya | Ismail Azad Qawwal | F♯ Major | 5 | 2B | 187 BPM | ||
| Surmai Shaam | Suresh Wadkar, Gulzar | D Major | 3 | 10B | 148 BPM | ||
| Toote Huye Khwabon Ne | Mohammed Rafi, Salil Chowdhury | E Minor | 3 | 9A | 104 BPM | ||
| Jab Deep Jale Aana | K. J. Yesudas, Hemlata | B♭ Major | 6 | 6B | 84 BPM | ||
| Naseeb Men Jiske Jo Likha Tha | Mohammed Rafi | B♭ Major | 3 | 6B | 99 BPM | ||
| Yeh Hai Bombay Meri Jaan (Aye Dil Hai Mushkil Jeena Yahan) | O. P. Nayyar, Majrooh Sultanpuri | F Major | 4 | 7B | 159 BPM | ||
| Kya Hua Tera Vada | Sushma Shrestha, Mohammed Rafi, R. D. Burman | F Major | 6 | 7B | 99 BPM | ||
| Kisi Patthar Ki Murat Se | Mahendra Kapoor | F♯ Minor | 4 | 11A | 122 BPM | ||
| Yeh Raat Yeh Chandni | Hemant Kumar | D Major | 3 | 10B | 81 BPM | ||
| Zindagi Kitni Khubsoorat Hai | Hemant Kumar | G Minor | 3 | 6A | 94 BPM | ||
| Beqarar Karke Hamen Yun Na Jaiye | Hemant Kumar | B♭ Minor | 4 | 3A | 113 BPM | ||
| Dil Tera Diwana Hai Sanam | Lata Mangeshkar, Mohammed Rafi | D Minor | 8 | 7A | 120 BPM | ||
| Ajhun Na Aye Balamwa | Suman Kalyanpur, Mohammed Rafi | D Major | 6 | 10B | 93 BPM | ||
| Diwana Hua Badal | Asha Bhosle, Mohammed Rafi | A♭ Major | 4 | 4B | 100 BPM | ||
| Bharat Ka Rahnewala Hoon | Mahendra Kapoor, Kalyanji-Anandji | G Major | 4 | 9B | 79 BPM | ||
| Wahan Kaun Hai Tera Musafir | S. D. Burman | F♯ Major | 3 | 2B | 94 BPM | ||
| Tera Hijr Mera Naseeb Hai | Kabban Mirza, Nida Fazli | E Major | 4 | 12B | 97 BPM | ||
| Teri Bindiya Re - Dialogue | Lata Mangeshkar, Mohammed Rafi | C Major | 5 | 8B | 93 BPM | ||
| Zindagi Kaisi Hai Paheli | Manna Dey | C Major | 6 | 8B | 98 BPM | ||
| Aaina Mujhse Mere | Talat Aziz | F♯ Minor | 5 | 11A | 138 BPM | ||
| O Rabba Koi To Bataye | Anuradha Paudwal, Suresh Wadkar | D Major | 5 | 10B | 77 BPM | ||
| Tu Pyar Ka Sagar Hai | Manna Dey | E♭ Minor | 3 | 2A | 97 BPM |