On October 2, 2025, the song "Namamrut Ras Nitya" was released by Aashish Keskar, Anand Bhate. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 8 in Chidanand by Aashish Keskar, Anand Bhate. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. In terms of popularity, Namamrut Ras Nitya is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Namamrut Ras Nitya by Aashish Keskar, Anand Bhate is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Runu - Runu Re Bharamra | Anuradha Paudwal, Sanjay Naad Kurni | C Major | 4 | 8B | 101 BPM | ||
| Payoji Maine Ram Ratan Dhan Payo - Bhajan | Lalitya Munshaw | B♭ Major | 5 | 6B | 160 BPM | ||
| Koel Bai | SAZ | B Major | 5 | 1B | 142 BPM | ||
| Banke Bihari | Jagjit Singh | F Major | 7 | 7B | 109 BPM | ||
| Shankarachi Aarti | Yeshwant Kothambikar | D♭ Major | 6 | 3B | 138 BPM | ||
| Bheti Laage Jiva | Ajay Purkar, Avadhoot Gandhi, Mayur Raut, Jagadguru Sant Tukaram Maharaj | A Major | 2 | 11B | 109 BPM | ||
| Sulpa Ki Saaj | Narendra Singh Negi, Sushma Shresht | A Minor | 2 | 8A | 91 BPM | ||
| Dharila Pandharicha Chor | Godavaribai Munde, Rameshbuva Shegaonkar | F♯ Major | 4 | 2B | 111 BPM | ||
| Ovolu Arati Madan Gopala | Ravindra Sathe, Sangeeta Kulkarni | F Minor | 9 | 4A | 116 BPM | ||
| Je Ka Ranjale Ganjale | Bhimsen Joshi | D Minor | 4 | 7A | 178 BPM | ||
| Jatajuta Samayuktang | Rahul Mitra Mustafi | A♭ Major | 5 | 4B | 104 BPM | ||
| Chandrachooda Shiva Shankara Parvati | Sargam Vaish | E♭ Minor | 6 | 2A | 178 BPM | ||
| Bodhu Kon Aalo | Jayati Chakrahborty | G Major | 3 | 9B | 81 BPM | ||
| Janiv Neniv | Suresh Wadkar | B♭ Minor | 4 | 3A | 144 BPM | ||
| Naam Sagun Samarth | Rahul Deshpande | E♭ Minor | 7 | 2A | 111 BPM | ||
| Ore Bhai Phagun Legeche | Swagatalakshmi Dasgupta | B♭ Major | 1 | 6B | 81 BPM | ||
| Pimpalachya Zada Mage | Anjali Nandgavakar | F♯ Minor | 3 | 11A | 108 BPM | ||
| Janana Rasha Pa Watan | Nashenas | D♭ Minor | 3 | 12A | 156 BPM | ||
| Bhor Bhai Ab Jago | Hariharan | A♭ Major | 5 | 4B | 175 BPM | ||
| Gaunchha Geet Nepali | Ananda Karki, Kunti Moktan, Mamata Dipbim, Tara Thapa, Taradevi, Janardan Sama, Raju Lama-mongolian Heart | B Major | 7 | 1B | 154 BPM | ||
| Jwala Jwalantejas Sambhaji Raja - Chhatrapati Sambhaji Maharaj | Shantanu Herlekar, Sagar Lele, Vijay Dhuri | D Major | 8 | 10B | 100 BPM | ||
| Datta Digamabara Ya Ho | Anuradha Paudwal | E♭ Major | 7 | 5B | 97 BPM | ||
| Kali Durge | Vikram Hazra | D Major | 3 | 10B | 80 BPM | ||
| Mata Kalika | Pandit Jasraj, Tripti Mukherjee | D♭ Major | 5 | 3B | 152 BPM | ||
| Tomaro Oshime | Rezwana Choudhury Bannya | B♭ Major | 3 | 6B | 123 BPM |