"Face To Face" by Johnny Jewel had its release date on October 15, 2016. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Face To Face's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "The Key". In this album, this song's track order is #3. The popularity of Face To Face is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Face To Face by Johnny Jewel having a BPM of 191 with a half-time of 96 BPM and a double-time of 382 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elsewhere | Atticus Ross, Leopold Ross, Claudia Sarne | D Major | 4 | 10B | 147 BPM | ||
| In Templum Dei | Jozef Van Wissem, Zola Jesus | F♯ Minor | 2 | 11A | 119 BPM | ||
| Run Program: Sentionauts | Sinoia Caves | D♭ Major | 5 | 3B | 114 BPM | ||
| Sad Alron | Mark Pritchard | D♭ Minor | 2 | 12A | 74 BPM | ||
| Will She Come Back | Cliff Martinez | A Minor | 0 | 8A | 73 BPM | ||
| Blood On The Tracks | Heaven | C Major | 6 | 8B | 136 BPM | ||
| Safe Safe Safe | Daniel Hart | C Major | 2 | 8B | 118 BPM | ||
| Ascent | Johnny Jewel | C Major | 7 | 8B | 110 BPM | ||
| Imprints | Field Works, Loscil | D♭ Major | 3 | 3B | 85 BPM | ||
| Catch Fire (Drumappella) | MOTHERMARY, Johnny Jewel | G Major | 6 | 9B | 180 BPM | ||
| Mannequin Metric | Cavern of Anti-Matter | B♭ Minor | 4 | 3A | 108 BPM | ||
| What Are You | Cliff Martinez | B♭ Minor | 10 | 3A | 178 BPM | ||
| Searching | Matthew Herbert | A Minor | 3 | 8A | 60 BPM | ||
| It's Not Enough | Heaven | A Minor | 5 | 8A | 82 BPM | ||
| High Rise | S U R V I V E | A♭ Minor | 6 | 1A | 136 BPM | ||
| A Violent Yet Flammable World | Au Revoir Simone | A♭ Minor | 5 | 1A | 142 BPM | ||
| Omniverse | S U R V I V E | B♭ Minor | 7 | 3A | 182 BPM | ||
| Suite Bergamasque: Clair de Lune, No. 3 | Isao Tomita | D♭ Major | 1 | 3B | 76 BPM | ||
| Innate Abstraction | Cruel Diagonals | E Minor | 5 | 9A | 122 BPM | ||
| Headless Chicken | Thought Gang | A♭ Minor | 5 | 1A | 151 BPM | ||
| Santa Barbara, 1979 | Roger Neill | G Major | 3 | 9B | 79 BPM | ||
| Trillions of Molecules | SQÜRL | E Minor | 3 | 9A | 68 BPM | ||
| Catch Fire (Johnny Jewel Remix Instrumental) | MOTHERMARY, Johnny Jewel | E Minor | 9 | 9A | 180 BPM | ||
| Lost Ways | Pye Corner Audio | E♭ Major | 6 | 5B | 90 BPM | ||
| War It | Forest Swords | F♯ Minor | 4 | 11A | 130 BPM |