Arvind Barot, Bhavna Rana's ' "Meldi Rame Mari Meldi Rame" was released on its scheduled release date, March 7, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Arvind Barot, Bhavna Rana's "Meldi Maa Na Dakla, Pt. 3" album is number 1 out of 3. On top of that, India appears to be the country where this track was created. Based on our statistics, Meldi Rame Mari Meldi Rame's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Meldi Rame Mari Meldi Rame by Arvind Barot, Bhavna Rana to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jhino Jhino X Rame Ambe Maa | Santvani Trivedi, Hariom Gadhavi | A♭ Major | 6 | 4B | 85 BPM | ||
| Kanuda Na Baag Ma | Aditya Gadhvi | B Minor | 8 | 10A | 126 BPM | ||
| Ame Maiyasha Kansra Jana | Raghuveer Kunchala | E♭ Major | 6 | 5B | 137 BPM | ||
| Jiv Shane Phare Chhe | Hari Bharwad | F Minor | 6 | 4A | 143 BPM | ||
| Jiyo Vanjara - Gujarati Bhajan | Birju Barot | A♭ Major | 9 | 4B | 207 BPM | ||
| Maro Gando Ghelo Hanuman Valo Bajarangi | Milan Kakadiya | A Major | 8 | 11B | 108 BPM | ||
| Gokul Meline Mathurama | Vana Bharvad | B♭ Major | 8 | 6B | 160 BPM | ||
| Choti Si Umar Me | Anandi Lal Bhawel | F♯ Minor | 7 | 11A | 134 BPM | ||
| Lumbe Zumbe | Atul Purohit, Himali, Smita Shah | F♯ Major | 5 | 2B | 100 BPM | ||
| Khamma Khamma Khodal | Kirtidan Ghadhavi | B Minor | 5 | 10A | 90 BPM | ||
| Malya Maa Na Aashirvad | Kajal Maheriya | E Minor | 9 | 9A | 143 BPM | ||
| Bhole Teri Jata Mein | NARAYANSWAMI | C Major | 7 | 8B | 117 BPM | ||
| Rann Kare Rannkaar | Rajat Dholakia, Aditya Gadhvi, Bishwadeep Chatterjee, Devraj Gadhvi, Rajiv Bhatt, Vandana Gadhvi | E♭ Major | 6 | 5B | 80 BPM | ||
| Krushna Joya Na Kod | Raj Gadhvi | A Major | 7 | 11B | 95 BPM | ||
| Maiyar No Mandvo Preet Nu Panetar | Sadhana Sargam, Arvind Barot | D Minor | 8 | 7A | 90 BPM | ||
| Shri Swami Samarth Jay Jay Swami Samarth | Chandrashekhar Gadgil, Arvind Barot | B Minor | 7 | 10A | 98 BPM | ||
| Guruji Mara Aave Chhe | Birju Barot | A♭ Major | 8 | 4B | 86 BPM | ||
| Jhaji Khamayu Dwarkawala Ni | Pintu Algotar | G Major | 7 | 9B | 134 BPM | ||
| O Dakor Wale Aaye | Hari Bharwad | F Major | 5 | 7B | 132 BPM | ||
| Shambhu Sharne Padi | Meena Patel | F Major | 6 | 7B | 90 BPM | ||
| Koi Jontu Ntu Jonita Te Karya | Jayesh Kharvada | A Minor | 7 | 8A | 127 BPM | ||
| Khodiyar Maa Aarti | Khodaldham Dediyasan | G Minor | 10 | 6A | 155 BPM | ||
| Baba Lene Chaliyou - Maithili | Sharda Sinha | E♭ Minor | 8 | 2A | 141 BPM | ||
| Jhupat Jhupat Aabe | Dukalu Yadav | D♭ Minor | 8 | 12A | 80 BPM | ||
| Khodal Maa Ni Aarti | Milan Kakadiya | A♭ Minor | 8 | 1A | 179 BPM |