John Hiatt's 'Through Your Hands - Live (1994/State Theater, Portland, ME)' had a release date set for January 1, 1994. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Hiatt's "Hiatt Comes Alive At Budokan?" album is number 1 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, Through Your Hands - Live (1994/State Theater, Portland, ME) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Through Your Hands - Live (1994/State Theater, Portland, ME) by John Hiatt to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Magdalene | Joe Ely | D♭ Minor | 3 | 12A | 168 BPM | ||
| Missing Pieces | John Hiatt & The Goners | F Major | 9 | 7B | 213 BPM | ||
| Blue As You | Shawn Mullins | G Major | 4 | 9B | 154 BPM | ||
| More and More, Less and Less | Delbert McClinton & Glen Clark | E Major | 9 | 12B | 107 BPM | ||
| Once Were Brothers | Robbie Robertson | F♯ Major | 4 | 2B | 110 BPM | ||
| Clean Getaway | Kieran Kane, Kevin Welch, Fats Kaplin | B Minor | 4 | 10A | 150 BPM | ||
| Will I See You In Heaven | The Jayhawks | G Major | 3 | 9B | 116 BPM | ||
| Willin' | Little Feat | G Major | 7 | 9B | 144 BPM | ||
| If You're Here When I Get Back | John Eddie | D Major | 7 | 10B | 98 BPM | ||
| River Song | Tom Rush | F Major | 4 | 7B | 97 BPM | ||
| Think About You | Eliza Gilkyson | C Major | 5 | 8B | 144 BPM | ||
| Precious Little | Jeremy Spencer | B Minor | 5 | 10A | 126 BPM | ||
| The Long Time Now | T Bone Burnett | B Minor | 4 | 10A | 113 BPM | ||
| Valentine | Nils Lofgren | A Major | 4 | 11B | 98 BPM | ||
| Days Like This | The Belfast Cowboys | C Minor | 4 | 5A | 85 BPM | ||
| Tonight Will Be Fine | Teddy Thompson | F♯ Major | 4 | 2B | 84 BPM | ||
| Red Dog Tracks | Chip Taylor, Carrie Rodriguez | A Major | 3 | 11B | 141 BPM | ||
| The Whole Night Sky | Bruce Cockburn | C Major | 3 | 8B | 74 BPM | ||
| 'Cept You & Me Babe | Greg Brown | B Minor | 5 | 10A | 103 BPM | ||
| When I Go Away | Levon Helm | A♭ Major | 7 | 4B | 124 BPM | ||
| I Feel So Good | Richard Thompson | C Major | 6 | 8B | 125 BPM | ||
| Tell Me Anything (Turn to Gold) | Chuck Prophet | G Minor | 9 | 6A | 123 BPM | ||
| Where's Johnny | James McMurtry | C Major | 7 | 8B | 115 BPM | ||
| Uncommon Connection | John Hiatt & The Goners | C Major | 10 | 8B | 173 BPM | ||
| To Get By | Malcolm Holcombe | G Minor | 7 | 6A | 90 BPM |