Cultural Roots's ' "Ten To One" was released on its scheduled release date, October 1, 1989. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Rougher Yet". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. The popularity of Ten To One is currently not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Ten To One by Cultural Roots having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pyaka | Cultural Roots | B♭ Minor | 3 | 3A | 90 BPM | ||
| Living In The Ghetto | Echo Minott | A Major | 3 | 11B | 79 BPM | ||
| Jah Jah Voice Is Calling | The Scientist | F♯ Major | 2 | 2B | 71 BPM | ||
| I Know Myself | Ernest Wilson | E Minor | 6 | 9A | 134 BPM | ||
| 2000 Years | Michael Prophet | B Minor | 6 | 10A | 140 BPM | ||
| The Jumping Master | Mikey Dread | A♭ Major | 7 | 4B | 144 BPM | ||
| Bad Man Comes and Goes | Rod Taylor | B Minor | 2 | 10A | 141 BPM | ||
| Mama Say | The Heptones | F Minor | 4 | 4A | 127 BPM | ||
| Show Me Your Company | The Viceroys | C Major | 6 | 8B | 138 BPM | ||
| Message to My Woman | Lacksley Castell | B♭ Minor | 4 | 3A | 146 BPM | ||
| Help Them Please | Michael Prophet | G Minor | 4 | 6A | 134 BPM | ||
| Natty Dread in a Greenwich Farm | Cornell Campbell | A♭ Major | 6 | 4B | 79 BPM | ||
| Smoke Ganja Hard | Little John | A Major | 6 | 11B | 154 BPM | ||
| Brand New | Earl Cunningham | C Major | 5 | 8B | 135 BPM | ||
| If Jah Should Come Now | Rod Taylor | B Minor | 3 | 10A | 128 BPM | ||
| Give I Girl | Triston Palma | B Major | 4 | 1B | 75 BPM | ||
| She Afi Come a Me | Anthony Johnson | C Major | 4 | 8B | 134 BPM | ||
| Tell Me Little Girl | Half Pint | D Major | 3 | 10B | 77 BPM | ||
| Mr. Bossman | Cultural Roots | F Major | 4 | 7B | 130 BPM | ||
| Teardrop | Winston Hussey | A♭ Major | 5 | 4B | 152 BPM | ||
| Reality | Gussie Kuhn | A Major | 4 | 11B | 137 BPM | ||
| I'm Toiling On | The Viceroys | B♭ Minor | 4 | 3A | 130 BPM | ||
| Be My Princess | Lacksley Castell | B Minor | 5 | 10A | 136 BPM | ||
| Palaving Street | Cultural Roots | B Minor | 5 | 10A | 84 BPM | ||
| Last Straw | Pablo Moses | D Minor | 5 | 7A | 77 BPM |