Angela Davis's 'Corporations And Patterns Of Immigration' had a release date set for 1999. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Corporations And Patterns Of Immigration's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Prison Industrial Complex". In this album, this song's track order is #12. Corporations And Patterns Of Immigration is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Corporations And Patterns Of Immigration by Angela Davis having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A One God Universe | William S. Burroughs | B♭ Major | 4 | 6B | 82 BPM | ||
| As I Walked out One Evening | W. H. Auden | B♭ Minor | 2 | 3A | 112 BPM | ||
| Mood Lifting Insects | Angela Davis | G Minor | 3 | 6A | 171 BPM | ||
| Enemies Are Needed | Angela Davis | A♭ Minor | 5 | 1A | 206 BPM | ||
| Leaving Early | Sylvia Plath | F Minor | 0 | 4A | 130 BPM | ||
| Right in the Middle of No-Where | Children's Bedtime Stories | D♭ Major | 2 | 3B | 49 BPM | ||
| In Case Of Emergency | Toby Lurie | D♭ Minor | 2 | 12A | 71 BPM | ||
| We Rise - Original Mix | Rhiannon Giddens | B Major | 2 | 1B | 99 BPM | ||
| Slaughterhouse 5, Pt. 10 | Kurt Vonnegut | F Major | 1 | 7B | 87 BPM | ||
| Resonating with Presence | Eckhart Tolle | G Minor | 5 | 6A | 59 BPM | ||
| Motivation Tallk, Vol. 31 (Little Things) | Deeplover | G Minor | 3 | 6A | 171 BPM | ||
| Dualities | Spiritual Unfoldment with John Butler | D♭ Major | 3 | 3B | 118 BPM | ||
| Come | Shallipopi baby, Wizkid b | G Minor | 3 | 6A | 171 BPM | ||
| Victorian London, Pt. 10 | Paul the Dreamtraveler | G Major | 0 | 9B | 79 BPM | ||
| Land of Imagination | Children's Bedtime Stories | D♭ Major | 3 | 3B | 134 BPM | ||
| Capítulo 19.2 & Capítulo 20 & Capítulo 21 & Capítulo 22 & Capítulo 23.1 - Fale tudo em inglês | Disal Editora | D♭ Major | 2 | 3B | 69 BPM | ||
| Dance At the Palace, Pt. 7 | Paul the Dreamtraveler | C Major | 3 | 8B | 62 BPM | ||
| From Ruins To Rise | Busta Dogo | F Minor | 4 | 4A | 92 BPM | ||
| My baby just called | Snow Shine | G Minor | 3 | 6A | 171 BPM | ||
| Gaps in the Doing | Eckhart Tolle | A Major | 2 | 11B | 103 BPM | ||
| The Dishwasher | Kitty Flanagan | F♯ Major | 7 | 2B | 87 BPM | ||
| The One Thing Everyone Should Learn | The Red Pill, Alan Watts | A Minor | 3 | 8A | 89 BPM | ||
| After Apple Picking | Robert Frost | A Major | 1 | 11B | 136 BPM | ||
| WIPPIN | kasebl | F Major | 5 | 7B | 73 BPM | ||
| Where We Are Going | Matthew Rix | D♭ Major | 3 | 3B | 169 BPM |