Charlie Hooper-Williams, Harriet Riley's ' "Before We Knew - Harriet Riley Rework" was released on its scheduled release date, May 26, 2023. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 10 in And You Were: Say You're With Me Reworked by Larkhall. In terms of popularity, Before We Knew - Harriet Riley Rework is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Before We Knew - Harriet Riley Rework by Charlie Hooper-Williams, Harriet Riley is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Soul Song No. 25 | Heikki Hallanoro | A♭ Minor | 0 | 1A | 77 BPM | ||
| Tiny dreams | Christian Janssen | E♭ Major | 0 | 5B | 128 BPM | ||
| Opal Amethyst | Jorisu Kanzaki | A Minor | 1 | 8A | 139 BPM | ||
| Excuse | Noira | B Minor | 0 | 10A | 134 BPM | ||
| Into the Unknown | Mont Eval | E♭ Major | 0 | 5B | 128 BPM | ||
| Stillness | Sounds of Home | E Major | 0 | 12B | 117 BPM | ||
| Like Father Like Son | Raoul Tsangaris | E♭ Major | 0 | 5B | 128 BPM | ||
| Joyful Steps | Emma Jackson | D Major | 0 | 10B | 68 BPM | ||
| Somewhere, Someday | Sola Ce | B Major | 0 | 1B | 80 BPM | ||
| El Eco de Tus Manos | Klaira Novae | G Minor | 1 | 6A | 171 BPM | ||
| Standing alone after all | Sereneer | E♭ Major | 0 | 5B | 128 BPM | ||
| Neverwhere | Nicholas Sillitoe | C Minor | 1 | 5A | 72 BPM | ||
| Domani all'Alba | Kindred Connection | E♭ Major | 0 | 5B | 128 BPM | ||
| culprint | KIND OF DUSK | E♭ Major | 0 | 5B | 128 BPM | ||
| Solitude Embrace | The O'Neill Brothers | D Major | 1 | 10B | 122 BPM | ||
| Dusk Meadows | Javid Pradhan | F Major | 0 | 7B | 64 BPM | ||
| Softly, a Serenade | Grant Ellery | E♭ Major | 0 | 5B | 128 BPM | ||
| The Edge Of Giving Up | Roger Swift | E♭ Major | 0 | 5B | 128 BPM | ||
| Center | Dan Musselman | E♭ Major | 0 | 5B | 128 BPM | ||
| Sunset | Bruno Wieckowski | D Minor | 0 | 7A | 110 BPM | ||
| into the fog | Balázs Koncz | E♭ Major | 0 | 5B | 128 BPM | ||
| Treasure Beneath The Snow | Kjell Sønksen | B Major | 0 | 1B | 78 BPM | ||
| Praxis at Home | Lyrius Roy | E Major | 0 | 12B | 97 BPM | ||
| Cloudgazing | Charlie Hooper-Williams | A♭ Minor | 0 | 1A | 42 BPM | ||
| Lights Are On | Lazarosky | G Major | 0 | 9B | 120 BPM |