"Amour、 Amour" by 渋谷毅 had its release date on August 8, 2018. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in 渋谷毅's "Island Virgin" album is number 12 out of 15. On top of that, Japan appears to be the country where this track was created. Amour、 Amour is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Amour、 Amour by 渋谷毅 to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Polka Dotz And Moonbeams | 渋谷毅 | E♭ Major | 1 | 5B | 64 BPM | ||
| I Cover the Waterfront | Joe Roland | D♭ Major | 4 | 3B | 74 BPM | ||
| MISTY | Hidehiko Matsumoto | E♭ Major | 4 | 5B | 144 BPM | ||
| Short Politician | Paul Moer Trio | C Major | 3 | 8B | 131 BPM | ||
| Kai | 峰厚介, 渋谷毅, 林栄一 | E♭ Major | 3 | 5B | 69 BPM | ||
| Whisky & Cigar | JUTESETS, Stone Standard | A♭ Major | 4 | 4B | 111 BPM | ||
| Harpsichord Cloister | BitSwing | G Minor | 1 | 6A | 117 BPM | ||
| Courtyard Portico | Linear Swing Jazz Club | G Minor | 1 | 6A | 61 BPM | ||
| マイ・ファニー・ヴァレンタイン | 渋谷毅 | A♭ Major | 2 | 4B | 68 BPM | ||
| Left Alone | Yoshio Suzuki, Tsuyoshi Yamamoto | D Minor | 1 | 7A | 98 BPM | ||
| Hi-Fly | Jaki Byard | C Major | 2 | 8B | 126 BPM | ||
| Night Glass in Hand | Smoky Avenue | G Minor | 2 | 6A | 112 BPM | ||
| Quarry Mill | Timeless Sepia Melodies | C Minor | 1 | 5A | 94 BPM | ||
| Columba | Microgroove | E♭ Minor | 6 | 2A | 89 BPM | ||
| Velvet Paradox | Numa Field | C Major | 2 | 8B | 74 BPM | ||
| Between Me And Myself - Live At The Newport Jazz Festival, 1957 | Toshiko Akiyoshi | B♭ Minor | 3 | 3A | 97 BPM | ||
| My Girl Bill | Benny Green | E♭ Major | 0 | 5B | 70 BPM | ||
| Masento | Blue Rectangles | B Minor | 0 | 10A | 84 BPM | ||
| What Remains Unspoken | Louis Carter | A♭ Major | 2 | 4B | 92 BPM | ||
| Once in a While | Moon haewon, Tsuyoshi Yamamoto | G Major | 4 | 9B | 83 BPM | ||
| I'll Remember April - Remastered | Sonny Clark Trio | G Major | 2 | 9B | 72 BPM | ||
| The Gentle Mind | Pause maybe? | C Minor | 1 | 5A | 169 BPM | ||
| Still Avenue | Quartier Bleu | A Minor | 1 | 8A | 179 BPM | ||
| Empty Case Ensemble | Flow Tone | A♭ Major | 2 | 4B | 107 BPM | ||
| 317 East 32nd Street | Alan Broadbent Trio | G Major | 4 | 9B | 170 BPM |