Bijli Rani's ' "Vahi Fir Mujhe Yaad Aane Lage Hai" was released on its scheduled release date, September 20, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Bijli Rani's "Gazal Hindi" album is number 6 out of 8. On top of that, India appears to be the country where this track was created. Vahi Fir Mujhe Yaad Aane Lage Hai is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Vahi Fir Mujhe Yaad Aane Lage Hai by Bijli Rani to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mahima Gaau Thari Baba Ramdevji Bhajan | Moinudin Manchala | F♯ Major | 5 | 2B | 77 BPM | ||
| Thane To Dhyave Aakho Marwar O | Prakash Mali, Mahendra Singh, Daksha Prajapati | A Minor | 9 | 8A | 102 BPM | ||
| Munjho Kinhan Te | Fozia Soomro | F♯ Minor | 6 | 11A | 95 BPM | ||
| Dudhacha Math Futla Kasa | Suryakant Shide | E Major | 8 | 12B | 62 BPM | ||
| Tohra Pe Waari Sanwriya Ae Raghubar | Madan Rai | G Major | 6 | 9B | 151 BPM | ||
| Jai Jai Vigneshwara | Naarsingi Narsing Rao | E Minor | 7 | 9A | 98 BPM | ||
| Nain Sa Nain Milal | Kunj Bihari Mishr, Mithla Ratan | F♯ Major | 7 | 2B | 104 BPM | ||
| Chudiyan Paylein Na Bajaya Karo | Anuradha Paudwal, Anwar | F Major | 7 | 7B | 150 BPM | ||
| Jinagi Ha Anmol Ratan | Radhe Shyam Rasiya | C Major | 10 | 8B | 90 BPM | ||
| Tera Dar Har Dar Se Nirala Sai Bhajan | Anup Jalota, Avinash Jha | A Minor | 10 | 8A | 105 BPM | ||
| Sab Kuch Karih Pyar Na Karih | Kalpana Patowary, Suresh Wadkar | C Major | 4 | 8B | 78 BPM | ||
| Radha Rani Ke Payaliya | Pawan Singh | B♭ Minor | 10 | 3A | 145 BPM | ||
| Tujhi Aan Vahin Ga | Baba Maharaj Satarkar | E Minor | 8 | 9A | 100 BPM | ||
| Siya Ke Chuman Janak Ji Ke Angna | Poonam Mishra | F♯ Major | 9 | 2B | 101 BPM | ||
| Pritam Aha Bina Nhi Chain Yai | Dilip Dharbhangiya | A♭ Minor | 7 | 1A | 142 BPM | ||
| TERI MAND MAND MUSAKANIYA | Mahesh Hiremath | A♭ Major | 5 | 4B | 129 BPM | ||
| Sode Re Sod hari | Prahlad Shinde | F♯ Major | 7 | 2B | 112 BPM | ||
| Par Ghar Preet Mat Kije | Prakash Mali | C Minor | 9 | 5A | 90 BPM | ||
| A Ho Jagdambay Maa | Poonam Mishra | D♭ Major | 5 | 3B | 104 BPM | ||
| Tu Tya Kathavar Mi Ya Kathavar | Yuvraj Pradhan | A♭ Major | 8 | 4B | 80 BPM | ||
| Banno Ke Hardi Lagaav Re | Deepa Narayan, Khushboo Jain, Supriya Joshi | D♭ Minor | 6 | 12A | 174 BPM | ||
| Pahu Jotiba Devala | Vijay Sartape | F♯ Major | 7 | 2B | 203 BPM | ||
| Dil Lagi Jo Kar Qadar | Fozia Soomro | B Major | 5 | 1B | 111 BPM | ||
| Aawe - Aawe Gori Hamra Sang | Kumar Kiran, Bijli Rani, Sarwan Saaj, Mona, Tumpa Das | A Minor | 5 | 8A | 190 BPM | ||
| Siya Nikle Avadhwa Ke Or | Kalpana Patowary | B♭ Minor | 7 | 3A | 80 BPM |