On January 1, 1976, the song "Detour" was released by Bill Keith. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Detour's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Something Auld, Something Newgrass, Something Borrowed, Something Bluegrass". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Detour's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Detour by Bill Keith having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ellen Smith | The Country Gentlemen | C Major | 5 | 8B | 134 BPM | ||
| Sugarfoot Rag | Bill Keith | D Major | 6 | 10B | 138 BPM | ||
| Elzics Farewell | Reeltime Travellers | G Major | 6 | 9B | 131 BPM | ||
| There'll Come a Day | Bill Keith, Jim Collier | G Major | 6 | 9B | 142 BPM | ||
| The Waves On The Sea | The Johnson Mountain Boys | E Major | 6 | 12B | 122 BPM | ||
| Fuji Mountain Breakdown | Bluegrass 45 | D Major | 7 | 10B | 132 BPM | ||
| Billy in the Lowground | Tony Rice | D Major | 5 | 10B | 119 BPM | ||
| Foggy Mountain Top | Ola Belle Reed | G Major | 5 | 9B | 121 BPM | ||
| Big Sciota | Jerry Douglas, Russ Barenberg, Edgar Meyer | G Major | 4 | 9B | 136 BPM | ||
| Bonaparte's Retreat | Ola Belle Reed | C Major | 3 | 8B | 90 BPM | ||
| Dying on the Field of Battle | David McLaughlin | D Major | 4 | 10B | 92 BPM | ||
| Greasy Coat | Chance McCoy & The Appalachian String Band | D Major | 7 | 10B | 112 BPM | ||
| Rock Bottom Blues | The Nashville Bluegrass Band | F Major | 2 | 7B | 207 BPM | ||
| Cruisin' Timber | Larry Sparks | D Major | 5 | 10B | 119 BPM | ||
| Jimmy Johnson | Chance McCoy & The Appalachian String Band | A Major | 9 | 11B | 135 BPM | ||
| Ride With The Devil | Dirk Powell | D Minor | 3 | 7A | 95 BPM | ||
| Hard, Ain't It Hard | Eric Weissberg & Marshall Brickman | A♭ Major | 6 | 4B | 110 BPM | ||
| Grapes On The Vine | The Rice Brothers | F Major | 4 | 7B | 119 BPM | ||
| Boil That Cabbage Down | Tom Adams | A Major | 6 | 11B | 150 BPM | ||
| Born To Be With You | J.D. Crowe | B Major | 8 | 1B | 153 BPM | ||
| Kansas City Railroad Blues | The Nashville Bluegrass Band | C Major | 5 | 8B | 146 BPM | ||
| Shuckin’ The Corn | The Earls Of Leicester | G Major | 9 | 9B | 159 BPM | ||
| Farewell Blues | Clarence White | G Major | 5 | 9B | 130 BPM | ||
| Kickin' Mule | The Kentucky Colonels | D Major | 7 | 10B | 88 BPM | ||
| Ducks On The Millpond | Rayna Gellert | D Major | 6 | 10B | 132 BPM |