"Anna's Truth" by Cliff Eidelman had its release date on March 10, 2009. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Cliff Eidelman's "He's Just Not That Into You (Original Motion Picture Score)" album is number 16 out of 18. On top of that, United States appears to be the country where this track was created. Anna's Truth is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Anna's Truth by Cliff Eidelman to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elizabeth - Original Motion Picture Soundtrack: Love Theme | David Hirschfelder, Unknown Orchestra | B♭ Major | 1 | 6B | 80 BPM | ||
| Building The Raft | Andrew Lockington | G Major | 2 | 9B | 106 BPM | ||
| Opening Sequence (With Sweetners) | David Shire | F♯ Minor | 1 | 11A | 80 BPM | ||
| Close Encounters of the Third Kind: Main Theme | Royal Philharmonic Orchestra | G Major | 3 | 9B | 85 BPM | ||
| No More Seances | Cliff Eidelman | B Minor | 0 | 10A | 86 BPM | ||
| Above All | Mandy Marshall, Mandy Obnorz | A♭ Major | 3 | 4B | 103 BPM | ||
| Destruct Mode / Picard Is Back | Jerry Goldsmith, Ron Jones | F♯ Major | 1 | 2B | 68 BPM | ||
| Memo | Randy Newman | C Major | 0 | 8B | 75 BPM | ||
| Choose Your Revenge | Patrick Doyle | D Major | 1 | 10B | 71 BPM | ||
| You Don't Fall In Love That Way | Cliff Eidelman | B♭ Major | 0 | 6B | 104 BPM | ||
| Suite From The Enemy Within | Original Soundtrack | C Major | 1 | 8B | 121 BPM | ||
| Casablanca - Suite | Max Steiner | E♭ Major | 2 | 5B | 83 BPM | ||
| Star Trek VI Suite - Star Trek VI/Soundtrack Version | Cliff Eidelman | C Major | 3 | 8B | 70 BPM | ||
| Hometown Hero | William Ross | A♭ Major | 1 | 4B | 79 BPM | ||
| Korgar | Koda Bark | F♯ Major | 5 | 2B | 131 BPM | ||
| A las Puertas de Nada | Las Eternas | E♭ Major | 3 | 5B | 81 BPM | ||
| A New Friend | William Ross | E♭ Major | 0 | 5B | 172 BPM | ||
| Cora | Trevor Jones | E Major | 1 | 12B | 70 BPM | ||
| Shakespeare In Love: End Credits - From "Shakespeare In Love" | Stephen Warbeck | F♯ Major | 1 | 2B | 120 BPM | ||
| It's My Mom | Cliff Eidelman | F♯ Major | 0 | 2B | 55 BPM | ||
| Skeksis Fight Duel | Trevor Jones | D Major | 4 | 10B | 139 BPM | ||
| Super Tuesday | W.G. Snuffy Walden | G Major | 2 | 9B | 99 BPM | ||
| Cutting The Rope | Harald Kloser | D Minor | 0 | 7A | 143 BPM | ||
| Star Trek IV: The Voyage Home: End Credits - From "Star Trek IV: The Voyage Home" | Leonard Rosenman, Cliff Eidelman, Seattle Symphony Orchestra | G Minor | 3 | 6A | 108 BPM | ||
| The Severnaya Suite (Part I: Among The Dead/Part II: Out Of Hell/Part III: The Husky Tribe) | Éric Serra | B♭ Major | 1 | 6B | 108 BPM |