On January 2, 2025, the song "Hare Krishna Hare Krishna" was released by Kumar Arjun. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Hare Krishna Hare Krishna and no other songs are present in the album, we classify this track as a single. The popularity of Hare Krishna Hare Krishna is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Hare Krishna Hare Krishna by Kumar Arjun to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hey Gaura Toharo Sajanwa Na | Kunj Bihari Mishr | A♭ Major | 9 | 4B | 173 BPM | ||
| Ram Naam Aadhar Jinhen Vo Jal Me Raah Banate Hai | Nishtha Didi Ji | F Minor | 7 | 4A | 150 BPM | ||
| Holi Me Saman Nasi Ho | Radhe Shyam Rasiya, Suman Raj | D♭ Major | 9 | 3B | 150 BPM | ||
| Pappu h Tumhare Kharab | Jaysingh raja, jyoti Kushvah | F♯ Major | 8 | 2B | 144 BPM | ||
| Padh Le Rau Bauaa | Dilip Darbhangiya | F♯ Minor | 10 | 11A | 95 BPM | ||
| Cahkey Chireya San Bauwa Hamar | Dilip Darbhangiya | B♭ Minor | 9 | 3A | 134 BPM | ||
| Wada Karke Na Aane Se Kya Fayda | Kumar Satyam | B♭ Minor | 9 | 3A | 149 BPM | ||
| Mehandipur Darbar Me Aake Ho Gaya Malamaal Ji | Ram Kumar Lakha | G Minor | 9 | 6A | 120 BPM | ||
| Darshan Diya Maa | Dilip Darbhangiya | F♯ Major | 7 | 2B | 142 BPM | ||
| Bade Hi Dayalu Hai Banke Bihari - Hindi | Manoj Chaudhary | E Minor | 6 | 9A | 78 BPM | ||
| Chundadi | Surbhi Chaturvedi | D♭ Minor | 6 | 12A | 114 BPM | ||
| Ahen Sundar Mithila Dham | Kumkum Mishra | G Major | 8 | 9B | 110 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Hare Rama Hare Krishna Harkirtan Bhajan | Kumar Arjun | A♭ Minor | 8 | 1A | 106 BPM | ||
| Adbhut Harikirtan | Kumar Arjun | G Major | 6 | 9B | 145 BPM | ||
| Sabari Kahat Daru Pine | Jaysingh raja, Doli Rajpoot | F♯ Major | 3 | 2B | 81 BPM | ||
| Dil Lagawala Ke Ka Jaruri Ba | Golu Raja, Nisha Upadhyay | F♯ Minor | 7 | 11A | 99 BPM | ||
| Abahi Umiriya Baari | Madan Rai | F♯ Major | 5 | 2B | 112 BPM | ||
| Avsar Mari Matano Aayo | Babu Ahir | B♭ Major | 10 | 6B | 92 BPM | ||
| Mera Piro Murshid Mera Taj Wala | Sadakat Sabri, Deewana Sound | E♭ Major | 9 | 5B | 142 BPM | ||
| Baba Ka Janamdin | Sakhi Hamid Hussain | E♭ Minor | 8 | 2A | 115 BPM | ||
| Kalja Kero Katko | Gopal Sadhu | A Major | 9 | 11B | 93 BPM | ||
| Sovat Jagat Rattun Nirantar Radha Radha Gaaun | Hita Ambrish | E Major | 9 | 12B | 170 BPM | ||
| Dil Chir Ke Tu Dekh | Sannu Kumar | A Major | 8 | 11B | 153 BPM | ||
| Ubha Patar Dengara Ni Vadi Re | Jashvant Rathva, Tulsi Tarabada, Satish Tarabada | F♯ Major | 7 | 2B | 57 BPM |