Mort Shuman's ' "Gone are the Days" was released on its scheduled release date, January 1, 1975. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 14 in A nous les petites Anglaises (Bande originale du film de Michel Lang) by Mort Shuman. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Gone are the Days is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Gone are the Days by Mort Shuman is Vivace (lively and fast), since this song has a tempo of 162 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| À la santé d'hier | Joe Dassin | E Major | 3 | 12B | 85 BPM | ||
| Une chanson | Charles Dumont | A Major | 6 | 11B | 85 BPM | ||
| Une fleur rien qu'une rose | Crazy Horse | C Major | 6 | 8B | 175 BPM | ||
| Les larmes aux yeux | Jeane Manson | B Minor | 6 | 10A | 127 BPM | ||
| Love Is Such A Sweet Surprise | Telly Savalas | A Major | 3 | 11B | 64 BPM | ||
| Home | Pussycat | A Major | 4 | 11B | 99 BPM | ||
| Rain, Rain, Rain | Simon Butterfly | F Major | 6 | 7B | 208 BPM | ||
| I begin to understand - Demo | Clås & Håns | E♭ Major | 6 | 5B | 79 BPM | ||
| You Don't Know (What It's Like To Be Near) | Pussycat | A Major | 3 | 11B | 74 BPM | ||
| J'ai le temps d'y penser - Remasterisé en 2019 | François Deguelt | A Major | 6 | 11B | 106 BPM | ||
| Micol's Theme | Debby Boone | G Minor | 3 | 6A | 134 BPM | ||
| Tango Funebre | Liesbeth List, Mort Shuman | B♭ Major | 4 | 6B | 116 BPM | ||
| La décision | Dave | A Minor | 5 | 8A | 140 BPM | ||
| Dernier baiser | C. Jérôme | E Minor | 5 | 9A | 97 BPM | ||
| (Where Do I Begin) Love Story | Vikki Carr | B Major | 5 | 1B | 72 BPM | ||
| Les matins d'hiver | Gérard Lenorman | E Minor | 4 | 9A | 142 BPM | ||
| Dans Le Coeur De Ma Blonde | Marcel Amont | D Major | 4 | 10B | 118 BPM | ||
| You're A Lady | Peter Skellern | D♭ Major | 2 | 3B | 177 BPM | ||
| Vis Ta Vie | Michel Fugain, Le Big Bazar | D Major | 4 | 10B | 121 BPM | ||
| To All the Girls I Loved Before | Albert Hammond | F♯ Major | 4 | 2B | 81 BPM | ||
| Oh How I Miss You Tonight | Benny Neyman, Tony Willé | D Major | 4 | 10B | 94 BPM | ||
| You’re the Song I Never Forgot | Sound Of Moc | C Minor | 4 | 5A | 107 BPM | ||
| Un volet bat de l'aile | Nicolas Peyrac | E Minor | 3 | 9A | 90 BPM | ||
| My Special Angel | Octopus | E Major | 5 | 12B | 109 BPM | ||
| La Derniere Fois | Alain Barrière | E Major | 5 | 12B | 81 BPM |