The Great War Symphony / 2. March: Soprano 'The Falling Leaves' by Patrick Hawes, Royal Philharmonic Orchestra, Louise Alder Song Details

"The Great War Symphony / 2. March: Soprano 'The Falling Leaves'" by Patrick Hawes, Royal Philharmonic Orchestra, Louise Alder had its release date on September 21, 2018. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "The Great War Symphony". In this album, this song's track order is #9. The Great War Symphony / 2. March: Soprano 'The Falling Leaves' is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With The Great War Symphony / 2. March: Soprano 'The Falling Leaves' by Patrick Hawes, Royal Philharmonic Orchestra, Louise Alder having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Music Key

This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -21.548 dB
Acousticness: 99%
Danceability: 13%
Energy: 9%
Instrumentalness: 0%
Liveness: 9%
Loudness: 64%
Speechiness: 5%
Valence: 4%

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