Brian Witzig's ' "You’re Mine" was released on its scheduled release date, January 1, 2008. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "The Iron Horse". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. You’re Mine is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With You’re Mine by Brian Witzig having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Working Overtime | Sixfingerz | C Major | 4 | 8B | 88 BPM | ||
| Vespucci | J-Walk | G Major | 4 | 9B | 86 BPM | ||
| Another Letter | Protassov | F Minor | 7 | 4A | 100 BPM | ||
| Skin (feat. Naim) | TM Juke, NAIM | B Minor | 4 | 10A | 174 BPM | ||
| The Meeting | Hugo Kant | A♭ Minor | 8 | 1A | 94 BPM | ||
| Law Of Nature | Sixfingerz | B♭ Minor | 6 | 3A | 85 BPM | ||
| Rififi Rococo | Chris Joss | E Minor | 8 | 9A | 94 BPM | ||
| Le Vicomte | Soel | E Minor | 7 | 9A | 126 BPM | ||
| Ostinato Bass | René Costy | G Major | 6 | 9B | 99 BPM | ||
| Every End Is a New Beginning | Mononome | B♭ Minor | 8 | 3A | 172 BPM | ||
| Angels | Brian Witzig | F Minor | 6 | 4A | 164 BPM | ||
| Double Drums | Peace Orchestra | A♭ Major | 7 | 4B | 174 BPM | ||
| Dance of the Obscure | Kabanjak | C Major | 7 | 8B | 174 BPM | ||
| Brown Eyed Girl | Hardkandy | D♭ Major | 5 | 3B | 101 BPM | ||
| Butterfly Dub | Protassov | C Major | 9 | 8B | 98 BPM | ||
| C - Radio Edit | JK Soul | B♭ Minor | 7 | 3A | 102 BPM | ||
| Liquid Season | Protassov | C Minor | 8 | 5A | 100 BPM | ||
| The Chord Cracker | Hugo Kant | D♭ Major | 6 | 3B | 103 BPM | ||
| The Shit | DJ Nu-Mark, Pomo | B♭ Minor | 4 | 3A | 96 BPM | ||
| There's No Need to Be Frightened | Hugo Kant | A Minor | 9 | 8A | 97 BPM | ||
| Anima | Moody Sanchez | A Minor | 5 | 8A | 100 BPM | ||
| Form to Follow | TM Juke, Kelster | B Minor | 4 | 10A | 174 BPM | ||
| Funky Shit | Loopmaffia | A♭ Major | 6 | 4B | 99 BPM | ||
| Little Nature | Chris Joss | C Major | 6 | 8B | 78 BPM | ||
| Crush | Metaform | D♭ Minor | 4 | 12A | 100 BPM |